“That is a subject after your own heart, Messer Piero—a revel interrupted by a ghost. You seem to love the blending of the terrible with the gay. I suppose that is the reason your shelves are so well furnished with death’s-heads, while you are painting those roguish Loves who are running away with the armour of Mars. I begin to think you are a Cynic philosopher in the pleasant disguise of a cunning painter.”
“Not I, Messer Greco; a philosopher is the last sort of animal I should choose to resemble. I find it enough to live, without spinning lies to account for life. Fowls cackle, asses bray, women chatter, and philosophers spin false reasons—that’s the effect the sight of the world brings out of them. Well, I am an animal that paints instead of cackling, or braying, or spinning lies. And now, I think, our business is done; you’ll keep to your side of the bargain about the Oedipus and Antigone?”
“I will do my best,” said Tito—on this strong hint, immediately moving towards the door.
“And you’ll let me know at Nello’s. No need to come here again.”
“I understand,” said Tito, laughingly, lifting his hand in sign of friendly parting.
CHAPTER XIX.
The Old Man’s Hope.
Messer Bernardo del Nero was as inexorable as Romola had expected in his advice that the marriage should be deferred till Easter, and in this matter Bardo was entirely under the ascendancy of his sagacious and practical friend. Nevertheless, Bernardo himself, though he was as far as ever from any susceptibility to the personal fascination in Tito which was felt by others, could not altogether resist that argument of success which is always powerful with men of the world. Tito was making his way rapidly in high quarters. He was especially growing in favour with the young Cardinal Giovanni de’ Medici, who had even spoken of Tito’s forming part of his learned retinue on an approaching journey to Rome; and the bright young Greek who had a tongue that was always ready without ever being quarrelsome, was more and more wished for at gay suppers in the Via Larga, and at Florentine games in which he had no pretension to excel, and could admire the incomparable skill of Piero de’ Medici in the most graceful manner in the world. By an unfailing sequence, Tito’s reputation as an agreeable companion in “magnificent” society made his learning and talent appear more lustrous: and he was really accomplished enough to prevent an exaggerated estimate from being hazardous to him. Messer Bernardo had old prejudices and attachments which now began to argue down the newer and feebler prejudice against the young Greek stranger who was rather too supple. To the old Florentine it was impossible to despise the recommendation of standing well with the best Florentine families, and since Tito began to be thoroughly received into that circle whose views were the unquestioned standard of social value, it seemed irrational not to admit that there was no longer any check to satisfaction in the prospect of such a son-in-law for Bardo, and such a husband for Romola. It was undeniable that Tito’s coming had been the dawn of a new life for both father and daughter, and the first promise had even been surpassed. The blind old scholar—whose proud truthfulness would never enter into that commerce of feigned and preposterous admiration which, varied by a corresponding measurelessness in vituperation, made the woof of all learned intercourse—had fallen into neglect even among his fellow-citizens, and when he was alluded to at all, it had long been usual to say that, though his blindness and the loss of his son were pitiable misfortunes, he was tiresome in contending for the value of his own labours; and that his discontent was a little inconsistent in a man who had been openly regardless of religious rites, and who in days past had refused offers made to him from various quarters, on the slight condition that he would take orders, without which it was not easy for patrons to provide for every scholar. But since Tito’s coming, there was no longer the same monotony in the thought that Bardo’s name suggested; the old man, it was understood, had left off his plaints, and the fair daughter was no longer to be shut up in dowerless pride, waiting for a parentado. The winning manners and growing favour of the handsome Greek who was expected to enter into the double relation of son and husband helped to make the new interest a thoroughly friendly one, and it was no longer a rare occurrence when a visitor enlivened the quiet library. Elderly men came from that indefinite prompting to renew former intercourse which arises when an old acquaintance begins to be newly talked about; and young men whom Tito had asked leave to bring once, found it easy to go again when they overtook him on his way to the Via de’ Bardi, and, resting their hands on his shoulder, fell into easy chat with him. For it was pleasant to look at Romola’s beauty; to see her, like old Firenzuola’s type of womanly majesty, “sitting with a certain grandeur, speaking with gravity, smiling with modesty, and casting around, as it were, an odour of queenliness;”[[1]] and she seemed to unfold like a strong white lily under this genial breath of admiration and homage; it was all one to her with her new bright life in Tito’s love.
[1] “Quando una donna è grande, ben formata, porta ben sua persona, siede con una certa grandezza, parla con gravità, ride con modestia, e finalmente getta quasi un odor di Regina; allora noi diciamo quella donna pare una maestà, ella ha una maestà.”—Firenzuola: Della Bellezza delle Donne.
Tito had even been the means of strengthening the hope in Bardo’s mind that he might before his death receive the longed-for security concerning his library: that it should not be merged in another collection; that it should not be transferred to a body of monks, and be called by the name of a monastery; but that it should remain for ever the Bardi Library, for the use of Florentines. For the old habit of trusting in the Medici could not die out while their influence was still the strongest lever in the State; and Tito, once possessing the ear of the Cardinal Giovanni de’ Medici, might do more even than Messer Bernardo towards winning the desired interest, for he could demonstrate to a learned audience the peculiar value of Bardi’s collection. Tito himself talked sanguinely of such a result, willing to cheer the old man, and conscious that Romola repaid those gentle words to her father with a sort of adoration that no direct tribute to herself could have won from her.