EUTHYDEMUS.
Dramatic and comic exuberance of the Euthydêmus. Judgments of various critics.
Dramatic vivacity, and comic force, holding up various persons to ridicule or contempt, are attributes which Plato manifests often and abundantly. But the dialogue in which these qualities reach their maximum, is, the Euthydêmus. Some portions of it approach to the Nubes of Aristophanes: so that Schleiermacher, Stallbaum, and other admiring critics have some difficulty in explaining, to their own satisfaction,[1] how Plato, the sublime moralist and lawgiver, can here have admitted so much trifling and buffoonery. Ast even rejects the dialogue as spurious; declaring it to be unworthy of Plato and insisting on various peculiarities, defects, and even absurdities, which offend his critical taste. His conclusion in this case has found no favour: yet I think it is based on reasons quite as forcible as those upon which other dialogues have been condemned:[2] upon reasons, which, even if admitted, might prove that the dialogue was an inferior performance, but would not prove that Plato was not the author.
[1] Schleiermacher, Einleitung zum Euthydemos, vol. iii. pp. 400-403-407; Stallbaum. Proleg. in Euthydem. p. 14.
[2] Ast, Platon’s Leben und Schriften, pp. 408-418.
Sokrates recounts (to Kriton) a conversation in which he has just been engaged with two Sophists, Euthydêmus and Dionysodorus, in the undressing-room belonging to the gymnasium of the Lykeium. There were present, besides, Kleinias, a youth of remarkable beauty and intelligence, cousin of the great Alkibiades — Ktesippus, an adult man, yet still young, friend of Sokrates and devotedly attached to Kleinias — and a crowd of unnamed persons, partly friends of Kleinias, partly admirers and supporters of the two Sophists.
The two Sophists, Euthydemus and Dionysodorus: manner in which they are here presented.
This couple are described and treated throughout by Sokrates, with the utmost admiration and respect: that is, in terms designating such feelings, but intended as the extreme of irony or caricature. They are masters of the art of Contention, in its three varieties[3] — 1. Arms, and the command of soldiers. 2. Judicial and political rhetoric, fighting an opponent before the assembled Dikasts or people. 3. Contentious Dialectic — they can reduce every respondent to a contradiction, if he will only continue to answer their questions — whether what he says be true or false.[4] All or each of these accomplishments they are prepared to teach to any pupil who will pay the required fee: the standing sarcasm of Plato against the paid teacher, occurring here as in so many other places. Lastly, they are brothers, old and almost toothless — natives of Chios, colonists from thence to Thurii, and exiles from Thurii and resident at Athens, yet visiting other cities for the purpose of giving lessons.[5] Their dialectic skill is described as a recent acquisition, — made during their old age, only in the preceding year, — and completing their excellence as professors of the tripartite Eristic. But they now devote themselves to it more than to the other two parts. Moreover they advertise themselves as teachers of virtue.
[3] Plato, Euthyd. pp. 271-272.