In this picture material may roughly be distinguished three great types: (1) the symbolical picture; (2) the rather formal picture, often badly conceived and executed, always dealing with biblical characters or incidents; and (3) the more universalized type drawn from every field of pictorial art, representing not only biblical personages and events, but also typifying æsthetic and moral values of every range adapted to the understanding and appreciation of the child.
Types of pictures.—Representative of the first, or symbolical, pictorial type are found the more or less crude pen drawings of such things as the heart with a key, an open Bible with a torch beside it, tombstone-like drawings representing the Tables of the Law or three interlocking circles representing the Trinity, etc.
Not only are all these abstract concepts beyond the grasp or need of the child at the age when the pictures are represented, but the symbols are in no degree suggestive to the child of the lesson intended; they are devoid of meaning, without interest, possess no artistic value, and lack all teaching significance. Such material should be discarded, and better pictures provided.
The second type of pictures, or those dealing with Bible topics, contain teaching power, but should be merged with the third, or true art, type. That is to say, biblical subjects, moral lessons, and inspiring ideals should be treated by true artists and made a part of the religious curriculum for childhood. Wherever suitable masterpieces executed by great artists can be found, copies should be made available for teaching religion. Hundreds of such pictures hang in our art galleries, and not a few of them have already been incorporated into several excellent series for the Sunday school.
Further, the pictures offered children should be as carefully selected with reference to what they are to teach, and should be as carefully graded to meet the age, interests, and appreciations of the child as are other forms of curriculum material. Some otherwise excellent picture sets of recent publication lose the greater part of their usefulness as teaching helps through the lack of this adaptation.
MUSIC IN THE CURRICULUM
Music as a part of the curriculum of religious education offers a peculiarly difficult problem. No other form of expression can take the place of music in creating a spirit of reverence and devotion, or in inducing an attitude of worship and inspiring religious feeling and emotion. Children ought to sing much both in the church school and in their worship at home.
Yet most of our hymns have been written for adults, and most of the music is better adapted to adult singing than to the singing of children. The ragtime hymns which find a place in many Sunday school exercises need only to be mentioned to be condemned. On the other hand, many of the finest hymns of the church are beyond the grasp of the child in sentiment and beyond his ability in music. The church seriously needs a revival of religious hymnology for children. In the meantime the greatest care should be used to select hymns for children's singing which possess as fully as may be three requisites: (1) music adapted to the child's capacity, (2) music that is worthy, interesting and devotional, and (3) words within the child's understanding and interest, and suitable in sentiment.
1. Many persons think that teaching the child religion and teaching him the Bible are precisely the same thing. Do you think it is possible to teach the child parts of the Bible without securing for him spiritual development from the process? Is it possible to make the Bible itself mean more to the child by supplementing it with material from other sources?
2. Do you ever find lessons provided for your class which are not adapted to their age and understanding? If so, do you feel free to supplement or substitute with material which meets their needs? Do you have sufficient command of the material of the Bible and other sources so that you can do this successfully?
3. Do you know a considerable number of stories adapted to the age of your pupils? Are you constantly adding to your list? Are you a good story teller? Are you studying to improve in this line? Even if your lesson material does not provide stories, do you bring such material in for your class?
4. What use do you make of nature in the teaching of religion? President Hall thinks that nature material is one of the best sources of religious instruction. Do you agree with him? Are you sufficiently in love with nature yourself, and sufficiently acquainted with nature so that you can successfully use the nature motive in your teaching?
5. Do you constantly make use of stories and illustrations from the lives of great men and women in your teaching? Do you take a reasonable proportion of these from contemporary life? Do you bring in stories of fine actions by boys and girls? What use have you been making of events in the lives of nations in your teaching? Are you reading and studying to become more fully prepared to use this type of material?