For three days everything is done to feast the dead, and on the last night there comes the touching ceremony of farewell, for the dead must then return.
Everything has been prepared for them. In each home small boats made of barley straw closely woven have been freighted with supplies of choice food, with tiny lanterns, and written messages of faith and love. Seldom more than two feet in length are these boats; but the dead require little room. And the frail craft are launched on canal, lake, sea, or river,—each with a miniature lantern glowing at the prow, and incense burning at the stern. And if the night be fair, they voyage long. Down all the creeks and rivers and canals the phantom fleets go glimmering to the sea; and all the sea sparkles to the horizon with the lights of the dead, and the sea wind is fragrant with incense.
But alas! it is now forbidden in the great seaports to launch the shōryōbune, "the boats of the blessed ghosts."
In Kami-Ichi, in the land of Hōki, there is a glimpse into ancient Japan, for there the Bon-odori, the Dance of the Festival of the Dead, is still maintained. No longer is it danced in the cities. In the temple court, in the shadow of the tomb, with the moonlight as a guide, long processions of young girls dance a slow ghostly dance while the vast audience of spectators keeps a perfect stillness. A deep male chant is heard, and the women respond. Many songs follow, until the night is waning. Then this seeming witchcraft ends, and with merry laughter and soft chatting all disperse.
Hearn spends a long happy day at Matsue, the chief city of the Province of the Gods, where he gathers legends and impressions. Of course it has its temples. The temple is the best place to see the life of the people. There it is that the children play all day long. In the summer evening, the young artisans and labourers prove their strength in wrestling-matches. The sacred dances are held there; and on holidays it is also the place where toys are sold.
Often at night your attention will be drawn to a large, silent, admiring group of people standing before some little booth. They will be looking at a few vases of sprays of flowers—an exhibition of skill in their arrangement.
Returning homeward, there is seen a poor woman scattering some white papers into a stream of water, and, as she throws each one in, murmuring something sweet in a low voice. She is praying for her little dead child, and these are little prayers that she has written to Jizō.
Kitzuki is the most ancient shrine in Japan, and it is the living centre of Shintō. There the ancient faith burns as brightly as ever it did in the unknown past. Buddhism may be doomed to pass away, but Shintō "unchanging and vitally unchanged remains dominant, and appears but to gain in power and dignity." Many of the wisest scholars have tried to define Shintō.
But the reality of Shintō lives not in books, nor in rites, nor in commandments, but in the national heart, of which it is the highest emotional religious expression, immortal and ever young. Far underlying all the surface crop of quaint superstitions and artless myths and fantastic magic, there thrills a mighty spiritual force, the whole soul of a race with all its impulses and powers and intuitions. He who would know what Shintō is must learn to know that mysterious soul in which the sense of beauty and the power of art and the fire of heroism and magnetism of loyalty and the emotion of faith have become inherent, immanent, unconscious, instinctive.
At Kaka is the Cave of the Children's Ghosts. No evil person may enter the Shin-Kukedo, for if he does, a large stone will detach itself and fall down upon him. Here in this great vault, lifting forty feet above the water, and with walls thirty feet apart, is a white rock out of which drips a water apparently as white as the rock itself. This is the Fountain of Jizō, which gives milk to the souls of little dead children.
And mothers suffering from want of milk come hither to pray that milk may be given unto them; and their prayer is heard. And mothers having more milk than their infants need come hither also, and pray to Jizō that so much as they can give may be taken for the dead children; and their prayer is heard and their milk diminishes.
At least thus the peasants of Izumo say.