The flag was crimson, as it appeared on her cheeks; and that intimated a further tale, though not of so dramatic an import as the cognizant short survey of Carinthia had been.
These young women, with the new complications obtruded by them, irritated a benevolent great governing lady, who had married off her daughters and embraced her grandchildren, comfortably finishing that chapter; and beheld now the apparition of the sex’s ancient tripping foe, when circumstances in themselves were quite enough to contend against on their behalf. It seemed to say, that nature’s most burdened weaker must always be beaten. Despite Henrietta’s advocacy and Carinthia’s clear face, it raised a spectral form of a suspicion, the more effective by reason of the much required justification it fetched from the shades to plead apologies for Lord Fleetwood’s erratic, if not mad, and in any case ugly, conduct. What otherwise could be his excuse? Such was his need of one, that the wife he crushed had to be proposed for sacrifice, in the mind of a lady tending strongly to side with her and condemn her husband.
Lady Arpington had counselled Carinthia to stay where she was, the Fates having brought her there. Henrietta was too generous to hesitate in her choice between her husband’s sister and the earl. She removed from Livia’s house to Lord Fleetwood’s. My lord was at Esslemont two days; then established his quarters at Scrope’s hotel, five minutes’ walk from the wedded lady to whom the right to bear his title was granted, an interview with him refused. Such a squaring for the battle of spouses had never—or not in mighty London—been seen since that old fight began.
CHAPTER XXVI. AFTER SOME FENCING THE DAME PASSES OUR GUARD
Dame Gossip at this present pass bursts to give us a review of the social world siding for the earl or for his countess; and her parrot cry of ‘John Rose Mackrell!’ with her head’s loose shake over the smack of her lap, to convey the contemporaneous tipsy relish of the rich good things he said on the subject of the contest, indicates the kind of intervention it would be.
To save the story from having its vein tied, we may accept the reminder, that he was the countess’s voluble advocate at a period when her friends were shy to speak of her. After relating the Vauxhall Gardens episode in burlesque Homeric during the freshness of the scandal, Rose Mackrell’s enthusiasm for the heroine of his humour set in. He tracked her to her parentage, which was new breath blown into the sunken tradition of some Old Buccaneer and his Countess Fanny: and, a turn of great good luck helping him to a copy of the book of the MAXIMS FOR MEN, he would quote certain of the racier ones, passages of Captain John Peter Kirby’s personal adveres in various lands and waters illustrating the text, to prove that the old warrior acted by the rule of his recommendations. They had the repulsive attraction proper to rusty lumber swords and truncehons that have tasted brains. They wove no mild sort of halo for the head of a shillelagh-flourishing Whitechapel Countess descended from the writer and doer.
People were willing to believe in her jump of thirty feet or more off a suburban house-top to escape durance, and her midnight storming of her lord’s town house, and ousting of him to go find his quarters at Scrope’s hotel. He, too, had his band of pugilists, as it was known; and he might have heightened a rageing scandal. The nobleman forbore. A woman’s blow gracefully taken adds a score of inches to our stature, floor us as it may: we win the world’s after-thoughts. Rose Mackrell sketched the earl;—always alert, smart, quick to meet a combination and protect a dignity never obtruded, and in spite of himself the laugh of the town. His humour flickered wildly round the ridiculous position of a prominent young nobleman, whose bearing and character were foreign to a position of ridicule.
Nevertheless, the earl’s figure continuing to be classic sculpture, it allied him with the aristocracy of martyrs, that burn and do not wince. He propitiated none, and as he could not but suffer shrewdly, he gained esteem enough to shine through the woman’s pitiless drenching of him. During his term at Scrope’s hotel, the carousals there were quite old-century and matter of discourse. He had proved his return to sound sense in the dismissal of ‘the fiddler,’ notoriously the woman’s lieutenant, or more; and nightly the revelry closed at the great gaming tables of St. James’s Street, while Whitechapel held the coroneted square, well on her way to the Law courts, as Abrane and Potts reported; and positively so, ‘clear case.’ That was the coming development and finale of the Marriage. London waited for it.
A rich man’s easy smile over losses at play, merely taught his emulous troop to feel themselves poor devils in the pocket. But Fleetwood’s contempt of Sleep was a marvel, superhuman, and accused them of an inferior vigour, hard for young men to admit by the example. He never went to bed. Issuing from Fortune’s hall-doors in the bright, lively, summer morning, he mounted horse and was away to the hills. Or he took the arm of a Roman Catholic nobleman, Lord Feltre, and walked with him from the green tables and the establishment’s renowned dry still Sillery to a Papist chapel. As it was not known that he had given his word to abjure his religion, the pious gamblers did no worse than spread an alarm and quiet it, by the citation of his character for having a try at everything.