Memoirs of My Dead Life

by George Moore

"Orelay? Nearly two hours from Orelay."

Our heavy luggage had been sent on before, but we had a number of dressing cases and bags with us, and there might not be time to remove all these. The guard, who had promised to take them out of the carriage for us, might not arrive in time. However this might be, he was not to be found anywhere, and I sought him how many times up and down the long length of the train. You can see me, reader, can you not? walking about the train, imagining all kinds of catastrophes--that the train might break down, or that it might not stop at Orelay; or, a still more likely catastrophe, that the young lady might change her mind. What if that were to happen at the last moment! Ah, if that were to happen I should have perchance to throw myself out of the train, unless peradventure I refrained for the sake of writing the story of a lover's deception. The transitional stage is an intolerable one, and I wondered if Doris felt it as keenly, and every time I passed our carriage on my way up and down in search of the guard, I stopped a moment to study her face; she sat with her eyes closed, perhaps dozing. How prosaic of her to doze on the way to Orelay! Why was she not as agitated as I?

And the question presented itself suddenly, Do women attach the same interest to love adventures as we do? Do women ask themselves as often as we do if God, the Devil, or Calamitous Fate will intervene between us and our pleasure? Will it be snatched out of our arms and from our lips? Perhaps never before, only once in any case, did I experience an excitement so lancinating as I experienced that day. And as I write the sad thought floats past that such expectations will never be my lot again. The delights of the moment are perhaps behind me, but why should I feel sad for that? Life is always beautiful, in age as well as in youth; the old have a joy that the youths do not know--recollection. It is through memory we know ourselves; without memory it might be said we have hardly lived at all, or only like animals.

This is a point on which I would speak seriously to every reader, especially to my young readers; for it is of the utmost importance that every one should select adventures that not only please them at the moment, but can be looked back upon with admiration, and for which one can offer up a mute thanksgiving. My life would not have been complete, a corner-stone would have been lacking if Doris had not come to Orelay with me. Without her I should not have known the joy that perfect beauty gives; that beauty which haunted in antiquity would never have been known to me. But without more, as the lawyers say, we will return to Doris. I asked her if she had been asleep? No, she had not slept, only it rested her to keep her eyes closed, the sunlight fatigued her. I did not like to hear her talk of fatigue, and to hide from her what was passing in my mind I tried to invent some conversation. Orelay--what a lovely name it was! Did she think the town would vindicate or belie its name? She smiled faintly and said she would not feel fatigued as soon as she got out of the train, and there was some consolation in the thought that her health would not allow her to get farther that day than Orelay.

We decided to stay at the Hôtel des Valois. One of the passengers had spoken to me of this hotel; he had never stayed there himself, but he believed it to be an excellent hotel. But it was not his recommendation that influenced me, it was the name--the Hôtel des Valois. How splendid! And when we got out at Orelay I asked the porters and the station-master if they could recommend a hotel. No, but they agreed that the Hôtel des Valois was as good as any other. We drove there wondering what it would be like. Everything had turned out well up to the present, but everything would go for naught if the Hôtel des Valois should prove unworthy of its name. And the first sight of it was certainly disappointing. Its courtyard was insignificant, only saved by a beautiful ilex tree growing in one corner. The next moment I noticed that the porch of the hotel was pretty and refined--a curious porch it was, giving the hotel for a moment the look of an eighteenth-century English country house. There were numerous windows with small panes, and one divined the hall beyond the porch. The hall delighted us, and I said to Doris as we passed through that the hotel must have been a nobleman's house some long while ago, when Orelay had a society of its own, perhaps a language, for in the seventeenth or the eighteenth century Provençal or some other dialect must have been written or spoken at Orelay. We admired the galleries overlooking the hall, and the staircase leading to them. We seemed to have been transported into the eighteenth century; the atmosphere was that of a Boucher, a provincial Boucher perhaps, but an eighteenth-century artist for all that. The doves that crowd round Aphrodite seemed to have led us right; and we foresaw a large quiet bedroom with an Aubusson carpet in the middle of a parquet floor, writing-tables in the corners of the room or in the silken-curtained windows.

This was the kind of room I had imagined--one as large as a drawing-room, and furnished like a drawing-room, with sofas and arm-chairs that we could draw around the fire, and myself and Doris sitting there talking. Love is composed in a large measure of desire of intimacy, and if the affection that birds experience in making their nest be not imitated, love descends to the base satisfaction of animals which merely meet in obedience to an instinct, and separate as soon as the instinct has been served. Birds understand love better than all animals, except man. Who has not thought with admiration of the weaver-birds, and of our own native wren? But the rooms that were offered to us corresponded in no wise with those that we had imagined the doors of the beautiful galleries would lead us into. The French words chambre meublée will convey an idea of the rooms we were shown into; for do not the words evoke a high bed pushed into the corner, an eider-down on top, a tall dusty window facing the bed, with skimpy red curtains and a vacant fireplace? There were, no doubt, a few chairs--but what chairs!

The scene was at once tragic and comic. It was of vital importance to myself and Doris to find a room such as I have attempted to describe, and it was of equal indifference to the waiter whether we did or didn't. The appearance of each contributed to the character of the scene. Doris's appearance I have tried to make clear to the reader; mine must be imagined; it only remains for me to tell what the waiter was like; an old man, short and thick, slow on the feet from long service, enveloped in an enormous apron; one only saw the ends of his trousers and his head; and the head was one of the strangest ever seen, for there was not a hair upon it; he was bald as an egg, and his head was the shape of an egg, and the colour of an Easter egg, a pretty pink all over. The eyes were like a ferret's, small and restless and watery, a long nose and a straight drooping chin, and a thick provincial accent--that alone amused me.

"Have you no other rooms?"

"Nous n'avons que cela."

I quote his words in the language in which they were spoken, for I remember how brutal they seemed, and how entirely in keeping with the character of the room. No doubt the words will seem flat and tame to the reader, but they never can seem that to me. "Nous n'avons que cela" will always be to me as pregnant with meaning as the famous to be or not to be. For it really amounted to that. I can see Doris standing by me, charming, graceful as a little Tanagra statuette, seemingly not aware of the degradation that the possession of her love would mean in such a room as that which we stood in; and I think I can honestly say that I wished we had never come to Orelay, that we had gone straight on to Paris. It were better even to sacrifice her love than that it should be degraded by vulgar circumstances; and, instead of a holy rite, my honeymoon had come to seem to me what the black mass must seem to the devout Christian.