But to the amazement of every one on board, staring frightened into the river, the hurt man was seen to be already struggling out of the current, and clambering—wet, hatless, with dripping hair—up the steep bank they had just left. On reaching the top he began to walk aimlessly away from the train, as if nothing had happened, but presently sat down on the ground looking weak and bewildered.

"Well, if he ain't the coolest hand!" exclaimed the brakeman. "Must be a new sort of water-rat." This same brakeman, however, was prompt to go with the conductor to the aid of the stranger. They found him conscious, but stupefied, and so helped him into the train, which then continued on its way, bearing him off to Shagford.

"Where are you bound?" asked the conductor.

The man, who was of middle age, with a sun-browned face and close iron-gray whiskers along the upper jaws, felt for his hat and, not finding it, looked uneasy. "There must be no delay," he said, half to himself. "I'll tell you in a moment," he added.

But he sat for some time without speaking; and it was evident that the shock of his terrible fall had worked confusion in his brain. Even on reaching Shagford he was unable to collect himself. But they persuaded him to consult the nearest physician, whom he sought under care of the young brakeman. This resulted in his being taken temporarily to the hospital, for, though seemingly without physical injury, he had suffered so peculiar a mental effect that rest and proper care were thought advisable.

Shortly after the occurrence of this singular accident a vehicle crossed the turnpike bridge, of which mention has been made. The vehicle was a buggy, occupied by a single figure—that of a man say about thirty-eight, clothed in a close-fitting suit of mixed brown. He was of prosperous but not portly aspect, and what was most noticeable in him was that his eyes scanned the river in a sudden, peculiar way. One might have said that, emerging from the softly massed trees upon the bank, he had an uneasy sense of being exposed to unexpected observation on the open stretch of the bridge. But perhaps the more likely explanation would be that he was an inquiring, energetic person, who habitually looked everywhere. Habit or chance, whichever it might be, his alert vision was not exercised in vain that day. He saw on the river, floating toward his point of vantage, an upturned hat. Now, this hat was the identical one which had quitted the head of the unlucky man at the railroad bridge; for, being made of cork, it was perfectly adapted to navigation.

"That's what comes of sharp eyes," said the driver of the buggy aloud, much as though he were stating a moral maxim which it did him good to hear. "Who knows but this may turn out important? If anybody's been drowned, or—" The alternative was lost in a clucking sound with which he accompanied the urging of his horse; for he had formed a plan.

The bridge was low; the hat was drifting toward one of the numerous rows of spiles, hence he believed he could fish it up with his long-handled whip. Dismounting, and watching his opportunity, he succeeded after a few moment's novel angling in bringing up, by a noose made of the lash-end, his piece of flotsam.

As I have said, this man wore a comfortable mien; his face was smooth, rosy, firm and beardless, and though the structure of his lips was rather hard and determined, the corners of the lips indicated constant readiness for a smile which, however, never culminated when he was alone. Still, at this moment, a beam of satisfaction rested on his features. The recovery of the hat presented itself to him in the light of a virtuous action. Looking into it he saw the owner's name written on the leather band: "Simeon Piper." As this conveyed no impression, he turned his attention to a small folded paper stuffed inside of the band and making a slight bulge in it. On examining what was inscribed upon the sheet, his countenance changed; the beaming look vanished, and his eyebrows, always describing an acute angle to the temples, grew sharper than ever. It was a movement analogous to that of an animal drawing back its lips before biting, or darting a fang out. His expression, in fact, had become wolfish.

What did it mean? Merely that the name he had seen this time was his own. "Martin E. Hounshell," he read, in a half voice, finding it for an instant even stranger than the strange name he had encountered just before. But he had seen other things on the page with his name; things which he would not articulate even here; certain names and dates for which he deemed silence the fittest atmosphere.