Hounshell's next act was to toss the hat back into the river, and he was about to tear up the paper scrap and send it after the hat, when he changed his mind. He put the memorandum into an inside pocket and buttoned up his coat, tapped the surface of the coat snugly, then got into his buggy and drove on—thoughtful and puzzled, but with equanimity returning and ready to spring his patent smile in a moment, should he meet an acquaintance.
Nevertheless, what had just happened was startling. If the paper which now lay over his heart had possessed the power of receiving a photograph from his brain he could not have been more astonished. The invisible had become visible; what had lain concealed for years in his own mind now confronted him from without. And who was Simeon Piper—a total stranger—in whose hat so mysterious a revelation had taken place? Hounshell's horse dragged that question along unconsciously to the end of the bridge, where, for the moment, it disappears from our pen unanswered.
The small waves flashed lightly around the spiles; a breeze rustled in the woods, perhaps looking for something it had lost there and never could find again. The two bridges were deserted; all was silent, dreamy. Then from the unseen bridge lower down a shrill clamor arose to break the serenity of the evening; a chorused shriek of twenty unearthly voices blended together. Unexpected and wild, loudly startling it was, so that there seemed something uncanny about it. One might have thought it the cry of monsters discovering human prey, or a mob of witches revelling in some crime that had been found out there. But as a matter of fact no one indulged in either of these impossible fancies. Everybody knew that the uproar came from the mills of Shagford, blowing the hour of release from work.
II.
FATHER, DAUGHTER, AND—WHO ELSE?
At this signal the operatives streamed forth like school-children; and from Hounshell's flannel-mill in particular came one elderly man, who threw himself with all the energy of a boy into a row-boat that lay at the waterside, and began oaring his way lustily up-stream. He had not gone far before he turned the bow into a secluded bay where water-lilies grew thickly. Here, paddling about and causing the boat to lurch violently as he stooped over the side, he pulled a few of the flowers. He looked tired and hard-worked; there was something indescribably pathetic in his making so much effort after the day's labor. But he did not seem to see this; and so, after getting a bunch of lilies, he continued up the river with a business-like stroke that implied some past familiarity with life on the water. The end of the course was soon reached; he moored the boat close to a little cottage that stood apart from the houses of the other working-people, and wore a peculiarly well-cared-for aspect.
On one side of the path was a tomato-patch; on the other a minute flower-garden; a grape-vine laid its flat leaves by one of the windows, and everything about the place was neat, cosey, sheltered. As the weaver came up toward it, however, he saw that there were two persons in the room behind the vine, instead of only one, as he had expected. He paused, looking in, and saw that it was Hounshell with his daughter. The mill-owner at that moment took her hand in a somewhat fervent way, addressing her eagerly, and led her toward the window. Instantly the girl withdrew her hand and came running out.
"Oh, father, dear, how lovely! Did you bring them for me?"
"Who else d'you s'pose, Addie? I'm not courting any one."