THE EROTIC MOTIVE

This picture does not show the great moment in any one of our popular farces,—it is far more tragic than that. It shows how Mr. Blivvins—always an artist at that sort of thing—has managed to get himself disliked. In an absent-minded moment—all life’s bitter tragedies happen in such moments—our hero has mistaken a door, and walked into the room where the Duke’s sister has retired to her chaste repose. The noble vestal is defending her honor at the point of a curling-iron, shrieking, “Stop, villain, or I fire.”

THE GRAND TOUR

The snappy little evening’s entertainment—Mr. Blivvins takes his guests on a personally conducted tour of the picture galleries, proudly pointing out all of his ancestral portraits—that came with the house, when he bought it. Of course, a little of that sort of thing is perfectly ripping, but, after the first eight miles, picture galleries seem to pall a bit. The Duke’s sister is plainly bored.

ON WITH THE DANCE

Things are looking considerably brighter here. Angelica has had the inspiration of injecting a little jazz into the Duke’s attentions. After all, dukes are but human; they can’t hold out against a jazz. The noble antique has dropped forty years from his age, and is dancing with all the abandon of a chorus man. Nothing could be sweeter, so far as Angelica’s proud parents are concerned, but the bishop and the Duke’s sister,—oh, Heavens!

THE BITTER END