We have unluckily no diary for the last half of 1828, after Scott returned from a long stay with the Lockharts in London, and we thus hear little of the beginnings of the next novel, Anne of Geierstein. When the Journal begins again, complaints are heard from Ballantyne. Alterations (which Scott always loathed, and which certainly are detestable things) became or were thought necessary, and when the poor Maid of the Mist at length appeared in May 1829, she was dismissed by her begetter very unkindly, as 'not a good girl like the other Annes'—his daughter and her cousin, fille de Thomas, who were living with him. The book was not at all ill received, but Lockhart is apologetic about it, and it has been the habit of criticism since to share the opinions of 'Aldiborontiphoscophormio.'[42] I cannot agree with this, and should put Anne of Geierstein—as a mere romance and not counting the personal touches which exalt Redgauntlet and the Introduction to the Chronicles—on a level with anything, and above most things, later than The Pirate. Its chief real fault is not so much bad construction—it is actually more, not less, well knit than The Fair Maid of Perth,—as the too great predominance of merely episodic and unnecessary things and persons, like the Vehmgericht and King's René's court. Its merits are manifold. The opening storm and Arthur's rescue by Anne, as well as the quarrel with Rudolf, are excellent; the journey (though too much delayed by the said Rudolf's tattlings), with the sojourn at Grafslust and the adventures at La Ferette, ranks with Scott's many admirable journeys, and high among them; Queen Margaret is nobly presented (I wish Shakespeare, Lancastrian that he was, had had the chance of versifying the scene where she flings the feather and the rose to the winds, as a pendant to 'I called thee then vain shadow of my fortune'); and not only Philipson's rattling peal of thunder to wake Charles the Bold from his stupor, but the Duke's final scenes, come well up to the occasion. Earlier, Scott would not have made René quite such a mere old fool, and could have taken the slight touch of pasteboard and sawdust out of the Black Priest of St. Paul's. But these are small matters, and the whole merits of the book are not small. Even Arthur and Anne are above, not below, the usual hero and heroine.

The gap in the Journal for the last half of 1828 is matched by another and more serious one for nearly a twelvemonth, from July 1829 to May 1830, a period during which Sir Walter's health went from bad to worse, and in which he lost his Abbotsford factotum, Tom Purdie. But the first six months of 1829, and perhaps a little more, are among its pleasantest parts. The shock of the failure and of his wife's death were, as far as might be, over; he had resumed the habit of seeing a fair amount of society; his work, though still busily pursued, was less killing than during the composition of the Napoleon; and his affairs were looking almost rosily. A first distribution, of thirty-two thousand pounds at once, had been made among the creditors. Cadell's scheme of the Magnum—wisely acquiesced in by the trustees, and facilitated by a bold purchase at auction of Constable's copyrights for some eight thousand pounds, and later, of those of the poems from Longmans for about the same or a little less—was turning out a great success. They had counted on a sale of eight thousand copies; they had to begin with twelve thousand, and increase it to twenty, while the number ultimately averaged thirty-five thousand. The work of annotation and introduction was not hard, and was decidedly interesting.

Unluckily, irreparable mischief had already been done, and when the Diary begins again, we soon see signs of it. The actual beginning of the end had occurred before the resumption, on February 15, 1830, when Sir Walter had, in the presence of his daughter and of Miss Violet Lockhart, experienced an attack of an apoplectic-paralytic character, from which he only recovered by much blood-letting and starvation. There can be little doubt that this helped to determine him to do what he had for some time meditated, and resign his place at the Clerk's table: nor perhaps could he have well done otherwise. But the results were partly unfortunate. The work had been very trifling, and had saved him from continual drudgery indoors at home, while it incidentally provided him with society and change of scene. He was now to live at Abbotsford,—for neither his means nor his health invited an Edinburgh residence when it was not necessary,—with surroundings only too likely to encourage 'thick-coming fancies,' out of reach of immediate skilled medical attendance, and with very dangerous temptations to carry on the use of his brain, which was now becoming almost deadly. Yet he would never give in. The pleasant and not exhausting task of arranging the Magnum (which was now bringing in from eight to ten thousand a year for the discharge of his debts) was supplemented by other things, especially Count Robert of Paris, and a book on Demonology for Murray's Family Library.

This last occupied him about the time of his seizure, and after the Diary was resumed, it was published in the summer of 1830. Scott was himself by this time conscious of a sort of aphasia of the pen (the direct result of the now declared affection of his brain), which prevented him from saying exactly what he wished in a connected manner; and the results of this are in part evident in the book. But it must always remain a blot, quite unforgivable and nearly inexplicable, on the memory of Wilson, that 'Christopher North' permitted himself to comment on some lapses in logic and style in a way which would have been rather that side of good manners and reasonable criticism in the case of a mere beginner in letters. It is true that he and Scott were at no time very intimate friends, and that there were even some vague antipathies between them. But Wilson had been deeply obliged to Scott in the matter of his professorship;[43] he at least ought to have been nearly as well aware as we are of the condition of his benefactor's health; and even if he had known nothing of this, the rest of Sir Walter's circumstances were known to all the world, and should surely have secured silence. But it seems that Wilson was for the moment in a pet with Lockhart, to whom the Letters on Demonology were addressed, and so he showed, as he seldom, but sometimes did, the 'black drop,' which in his case, though not in Lockhart's, marred at times a generally healthy and noble nature. As a matter of fact, it needs either distinct malevolence or silly hypercriticism to find any serious fault with the Demonology. If not a masterpiece of scientific treatment in reference to a subject which hardly admits of any such thing, it is an exceedingly pleasant and amusing and a by no means uninstructive medley of learning, traditional anecdote, reminiscence, and what not, on a matter which, as we know, had interested the writer from very early days, and which he regarded from his usual and invaluable combined standpoint of shrewd sense and poetical appreciation.

The decay, now not to be arrested, though its progress was comparatively slow, was more evident in the last two works of fiction which Scott completed, Count Robert of Paris and Castle Dangerous. Against the first ending of the former (we do not possess it, so we cannot criticise their criticism) Ballantyne and Cadell formally protested, and Scott rewrote a great deal of it by dictation to Laidlaw. The loss of command both of character and of story-interest is indeed very noticeable. But the opening incident at the Golden Gate, the interview of the Varangian with the Imperial family, the intrusion of Count Robert, and, above all, his battle with the tiger and liberation from the dungeon of the Blachernal, with some other things, show that astonishing power of handling single incidents which was Scott's inseparable gift, and which seems to have accompanied him throughout to the very eve of his death. The much briefer Castle Dangerous (which is connected with an affecting visit of Scott and Lockhart to the tombs of the Douglases) is too slight to give room for very much shortcoming. Its chief artistic fault is the happy ending—for though a romancer is in no respect bound to follow his text exactly, and happy endings are quite good things, yet it is rather too much to turn upside down the historic catastrophe of the Good Lord James's fashion of warfare. Otherwise the book is more noticeable for a deficiency of spirit, life, and light—for the evidence of shadow and stagnation falling over the once restless and brilliant scene—than for anything positively bad.

These two books were mainly dictated, the paralytic affection having injured the author's power of handwriting,[44] to William Laidlaw between the summer of 1830 and the early autumn of 1831, increasing weakness, and the demands of the Magnum, preventing more speed. The last pages of Castle Dangerous contain Scott's farewell, and the announcement to the public of that voyage to Italy which had actually begun when the novels appeared in the month of November.

The period between the fatal seizure and the voyage to the Mediterranean has not much diary concerning it, but has been related with inimitable judgment and sympathy by Lockhart. It was, even putting failing health and obscured mental powers aside, not free from 'browner shades'; for the Reform agitation naturally grieved Sir Walter deeply, while on two occasions he was the object of popular insult and on one of popular violence. Both were at Jedburgh; but the blame is put upon intrusive weavers from Hawick. The first, a meeting of Roxburghshire freeholders, saw nothing worse than unmannerly interruption of a speech made partially unintelligible by the speaker's failing articulation. He felt it bitterly, and when hissing was repeated as he bowed farewell, is said to have replied, low, but now quite distinctly, 'Moriturus vos saluto!' On the second, the election after the throwing out of the first Bill, he was stoned, spat upon, and greeted with cries of 'Burke Sir Walter.'[45] Natural indignation has often been expressed at this behaviour towards the best neighbour and the greatest man in Scotland—behaviour which, as we know, haunted him on his deathbed; but it is to be presumed that the persons who thus proclaimed their cause knew the line of conduct most worthy of it.

It does not appear with absolute certainty who first suggested the Italian journey. It could not have been expected to produce any radical cure; but it seems to have been hoped that change of scene would prevent the patient from indulging in that attempt to write from which at Abbotsford it was impossible to keep him, though it was simply slow, and not so very slow, suicide. The wishes of his family were most kindly and generously met by the Government of the day, among whose members he had many personal friends, though political opponents; and the frigate Barham, a cut-down seventy-four, which had the credit of being one of the smartest vessels in the navy, was assigned to take him to Malta. He had, before he left Abbotsford itself, an affecting interview with Wordsworth, which occasioned Yarrow Revisited and the beautiful sonnet, 'A trouble, not of clouds or weeping rain,' and had no doubt part in the initiation of the last really great thing that Wordsworth ever wrote—the Effusion on the deaths of Hogg, Coleridge, Crabbe, Lamb, and Scott himself, in 1835. Some stay was made with the Lockharts in London, and a little at Portsmouth, waiting for a wind; but the final departure took place on October 29, 1831.

Scott was abroad for the best part of a year, the time being chiefly made out in visits of some length to Malta, Naples, and Rome. We have a good deal of diary for this period, and it, even more than the subsidiary documents and Lockhart's summary of no doubt much that is unpublished, betrays the state of the case. Every now and then—indeed, for long passages—there is nothing very different from the matter to which, since the first warning in 1818, we have been accustomed. Scott is, if not the infinitely various but never mutable Scott of the earlier years, still constant in fun and kindness, in quaint erudition and hearty friendship, though he is all this in a slightly deadened and sicklied degree. But there are strange breaks-down and unfamiliar touches, now of almost querulous self-concern (the thing most foreign to his earlier nature), as where he complains that his companions, his son and daughter, 'are neither desirous to follow his amusements nor anxious that he should adopt theirs'; now of still more foreign callousness, as where he dismisses the news of the death of Hugh Littlejohn, whose illnesses earlier had been almost his chief anxiety, and records in the same entry that he 'went to the opera.' The passage in the Introduction to the Chronicles, written not so very long before, traces with an almost horrible exactness the changes which were now taking place in himself. Moreover, he would resume the pen; and, first in Malta, then at Naples, began and went far to complete two new novels, The Siege of Malta and Il Bizarro, which, I suppose, are still at Abbotsford, with Lockhart's solemn curse on the person who shall publish them. He had now (it does not seem clear on what grounds, or by what stages) confirmed himself in the belief that he had paid off all his debts, instead of nearly half of them.[46] And he founded divers schemes on the profits of these works, added to the (as he thought) liberated returns of the Magnum; and even revived his notions of buying Faldonside with its thousand acres, and 'holding all Tweed-bank, from Ettrick-foot to Calla weel.' Fêted, too, as he was, and in this condition of mind, it seems to have been difficult for his companions to make him observe the absolute temperance in food and drink which was as necessary to the staving off of the end as abstinence from brain-work; and it must be regarded as a signal proof of the extraordinary strength of his constitution that it resisted as long as it did.

At last, and of course suddenly, came the final warning of all: the occurrence, without notice, of an almost agonising home-sickness. The party travelled by land, as speedily as they could, to the Channel, a last attack of apoplectic paralysis taking place at Nimeguen; and after crossing it and reaching London, Sir Walter was taken by sea to the Forth, and thence home. The actual end was delayed but very little longer, and it has been told by Lockhart in one of those capital passages of English literature on which it is folly to attempt to improve or even to comment, and which, a hundred times quoted, can never be stale. Sir Walter Scott died at Abbotsford on September 21, 1832, and was buried four days later at Dryburgh, a post-mortem examination having disclosed considerable softening of the brain.