I have not yet read my play. I have still something to do over. Nothing pressing. Bouilhet's play goes admirably well, and they told me that my little friend Cadol's [Footnote: Edward Cadol, a dramatic author and a friend of Maurice Sand.] play would come next. And, for nothing in the world, do I want to step on the body of that child. That puts me quite a distance off and does not annoy me—NOR INJURE ME AT ALL. What style! Luckily I am not writing for Buloz.

I saw your friend last evening in the foyer at the Odeon. I shook hands with him. He had a happy look. And then I talked with Duquesnel about the fairy play. He wants very much to know it. You have only to present yourself when ever you wish to busy yourself with it. You will be received with open arms.

Mario Proth will give me tomorrow or next day the exact date on the transformation of the journal. Tomorrow I shall go out and buy your dear mother's shoes. Next week I am going to Palaiseau and I shall hunt up my book on faience. If I forget anything, remind me of it.

I have been ill for two days. I am cured. Your letter does my heart good. I shall answer all the questions quite nicely, as you have answered mine. One is happy, don't you think so, to be able to relate one's whole life? It is much less complicated than the bourgeois think, and the mysteries that one can reveal to a friend are always the contrary of what indifferent ones suppose.

I was very happy that week with you: no care, a good nesting-place a lovely country, affectionate hearts and your beautiful and frank face which has a somewhat paternal air. Age has nothing to do with it. One feels in you the protection of infinite goodness, and one evening when you called your mother "MY DAUGHTER," two tears came in my eyes. It was hard to go away, but I hindered your work, and then,—and then,—a malady of my old age is, not being able to keep still. I am afraid of getting too attached and of wearying others. The old ought to be extremely discreet. From a distance I can tell you how much I love you without the fear of repetition. You are one of the RARE BEINGS remaining impressionable, sincere, loving art, not corrupted by ambition, not drunk with success. In short you will always be twenty-five years of age because of all sorts of ideas which have become old-fashioned according to the senile young men of today. With them, I think it is decidedly a pose, but it is so stupid! If it is a weakness, it is still worse. They are MEN OF LETTERS and not MEN. Good luck to the novel! It is exquisite; but oddly enough there is one entire side of you which does not betray itself in what you do, something that you probably are ignorant of. That will come later, I am sure of it.

I embrace you tenderly, and your mother too, and the charming niece! [Footnote: Madame Caroline Commanville.] Ah! I forgot, I saw Couture this evening; he told me that in order to be nice to you, he would make your portrait in crayon like mine for whatever price you wish to arrange. You see I am a good commissioner, use me.

XXVIII. TO GUSTAVE FLAUBERT 16 November, 1866

Thanks, dear friend of my heart, for all the trouble that I gave you with my Berrichon Despruneaux. They are friends from the old country, a whole adorable family of fine people, fathers, children, wives, nephews, all in the close circle at Nohant. He must have been MOVED at seeing you. He looked forward to it, all personal interest aside. And I who am not practical, forgot to tell you that the judgment would not be given for a fortnight. That in consequence any preceding within the next two weeks would be extremely useful. If he gains his suit relative to the constructions at Yport, he will settle there and I shall realize the plan formed long since of going every year to his house; he has a delicious wife and they have loved me a long time. You then are threatened with seeing me often scratching at your gate in passing, giving you a kiss on the forehead, crying courage for your labor and running on. I am still awaiting our information on the journal. It seems that it is a little difficult to be exact for '42. I have asked for the most scrupulous exactitude.

For two days I have been taking out to walk my Cascaret, [Footnote: Francis Laur.] the little engineer of whom I told you. He has become very good looking, the ladies lift their lorgnons at him, and it depends only on him to attain the dignity of a negro "giraffier," but he loves, he is engaged, he has four years to wait, to work to make himself a position, and he has made a vow. You would tell him that he is stupid, I preach to him, on the contrary, my old troubadour doctrine.

Morality aside, I don't think that the children of this day have sufficient force to manage at the same time, science and dissipation, cocottes and engagements. The proof is that nothing comes from young Bohemia any longer. Good night, friend, work well, sleep well. Walk a little for the love of God and of me. Tell your judges who promised me a smile, to smile on my Berrichon.