To this question I make the following answer: In the first place, I remark that even the plain man distinguishes somehow between his sensations and external things. He thinks that he has reason to believe that things do not cease to exist when he no longer has sensations. Moreover, he believes that things do not always appear to his senses as they really are. If we tell him that his sensations are the things, it shocks his common sense. He answers: Do you mean to tell me that complexes of sensation can be on a shelf or in a drawer? can be cut with a knife or broken with the hands? He feels that there must be some real distinction between sensations and the things without him.
Now, the notions of the plain man on such matters as these are not very clear, and what he says about sensations and things is not always edifying. But it is clear that he feels strongly that the man who would identify them is obliterating a distinction to which his experience testifies unequivocally. We must not hastily disregard his protest. He is sometimes right in his feeling that things are not identical, even when he cannot prove it.
In the second place, I remark that, in this instance, the plain man is in the right, and can be shown to be in the right. "Things" are not groups of sensations. The distinction between them will be explained in the next section.
17. THE DISTINCTION BETWEEN SENSATIONS AND "THINGS"—Suppose that I stand in my study and look at the fire in the grate. I am experiencing sensations, and am not busied merely with an imaginary fire. But may my whole experience of the fire be summed up as an experience of sensations and their changes? Let us see.
If I shut my eyes, the fire disappears. Does any one suppose that the fire has been annihilated? No. We say, I no longer see it, but nothing has happened to the fire.
Again, I may keep my eyes open, and simply turn my head. The fire disappears once more. Does any one suppose that my turning my head has done anything to the fire? We say unhesitatingly, my sensations have changed, but the fire has remained as it was.
Still, again, I may withdraw from the fire. Its heat seems to be diminished. Has the fire really grown less hot? And if I could withdraw to a sufficient distance, I know that the fire would appear to me smaller and less bright. Could I get far enough away to make it seem the faintest speck in the field of vision, would I be tempted to claim that the fire shrunk and grew faint merely because I walked away from it? Surely not.
Now, suppose that I stand on the same spot and look at the fire without turning my head. The stick at which I am gazing catches the flame, blazes up, turns red, and finally falls together, a little mass of gray ashes. Shall I describe this by saying that my sensations have changed, or may I say that the fire itself has changed? The plain man and the philosopher alike use the latter expression in such a case as this.
Let us take another illustration. I walk towards the distant house on the plain before me. What I see as my goal seems to grow larger and brighter. It does not occur to me to maintain that the house changes as I advance. But, at a given instant, changes of a different sort make their appearance. Smoke arises, and flames burst from the roof. Now I have no hesitation in saying that changes are taking place in the house. It would seem foolish to describe the occurrence as a mere change in my sensations. Before it was my sensations that changed; now it is the house itself.
We are drawing this distinction between changes in our sensations and changes in things at every hour in the day. I cannot move without making things appear and disappear. If I wag my head, the furniture seems to dance, and I regard it as a mere seeming. I count on the clock's going when I no longer look upon its face. It would be absurd to hold that the distinction is a mere blunder, and has no foundation in our experience. The rôle it plays is too important for that. If we obliterate it, the real world of material things which seems to be revealed in our experience melts into a chaos of fantastic experiences whose appearances and disappearances seem to be subject to no law.