After vainly trying to get the conductor to wade in and search for her “tay cup,” she permitted them to assist her into the car, where an old doctor from Racine volunteered to examine her to see if she was mortally injured. He put his hand on her shoulder and asked her if she was in any pain.
“Divil the pain, except the loss of me tay cup,” said she, “and kape yer owld hands off me, for I am a dacent woman.”
She shook herself in the car and got mud all over everybody, and finally took her pail and jumped off at a crossing before arriving at the depot. As the train came into the depot ten minutes late, and the conductor jumped off, all mud from head to foot, as though he had been playing spaniel and retrieving a wounded duck, Supt. Atkins looked at his clothes and said, “Where in —— have you been all the time?” The conductor took a wisp of straw to wipe himself off, and as he threw it under a car he said he had been in the artificial propagation of the human race. In fact he had been engaged in the noble work of raising woman to a higher sphere. He was allowed to go on probation and wash himself. The brakeman went down there the next day and was fishing in the same hole. He said he didn’t know but there might be more woman in there, but they say he was after the “tay cup.”
[NEARLY BROKE UP THE BALL.]
A party of well meaning young people from Ripon nearly broke up a dance at Hazen’s cheese factory, out in the country a spell ago. The people around there are quiet, sober country people, who confine themselves in dancing, to plain quadrilles and country dances, with an occasional monnie musk, or a plain waltz. These young Ripon people are on the dance bigger than a wolf, and they have learned all the Boston dips, and Saratoga bends, and Newport colic dances, and everything new. There is one dance they have learned which is peculiar to say the least. It is a species of waltz, but the couple get together so odd that a person who sees it for the first time just leans against something and fans himself. When the music strikes up a waltz the young man opens his arms and doubles himself up like a boy with the cholera infantum, his hind leg cramps and his head lops over on one side, and he looks sick, his back humps up like a case of chronic inflammatory rheumatism, and he is ready. The girl who is with him, when he begins to have spasms, at once seems to go into a trance. Her back gets up like a cat, she bends over towards him, her forward leg gets out of joint at the knee, her neck takes a cramp, her mouth opens and she lolls, her eyes roll like a steer that has turned the yoke, and just before she dies she falls into the arms of the deceased and they are ready. For a moment they stand and squirm like angle-worms on a hook, and froth at the mouth, and look, as they stand there, like a pile driver that has been run into by an engine. They teeter up and down a little, and then fly off on a tangent, and they flop around in unexpected places among the other dancers, jump like a box car, bump against other couples, and at every bump they are driven closer together, until they are so near that it does seem as though they will have to be pried apart with a handspike; they look into each other’s eyes as though they would bite, and they keep going around till their backs are broke. Well, a party of these kind of dancers went to the cheese factory where the country people were gathered, and after dancing a few quadrilles, the fiddlers struck up an old fashioned waltz. While the visiting dancers were going into spasms to get ready to wade in, the floor filled with the country couples, who were waltzing around old fashioned, when all of a sudden those Ripon people began to work. They flopped across the cheese factory, knocked down a couple from Pickett’s Corners, caromed on a fellow and his girl from Brandon and sent them against a barrel of lemonade, glanced across the hall and struck an old lady amidships that had just started to call her girl off the floor because she was afraid the girl would catch those Ripon cramps, knocked her under a bench, where she lay and called for her husband Isaiah, to come and pick her up in a basket. In less than two minutes all the other dancers hauled off, and stood on benches and looked at them. Some of the country girls hid their heads and said they wanted to go home. The visitors slid around the hall, caught each other on the fly, run the bases, and come under the wire neck and neck, just as the man who played second fiddle fell over the base viol in a dead faint, and the man that played the piccalo rolled under the music stand, striken with apoplexy. The manager of the dance called a constable who was present, and told him to arrest the party, and handcuff them and take them to the Oshkosh insane asylum, where they had escaped. The young men explained that they were not crazy, and that it was only a new kind of dance, and they were reluctantly allowed to remain, on condition that they “wouldn’t cut up any more of them city monkey shines, not afore folks.”
[SUMMER RESORTING.]
The other day a business man who has one of the nicest houses in the nicest ward in the city, and who has horses and carriages in plenty, and who usually looks as clean as though just out of a band box and as happy as a schoolma’am at a vacation picnic, got on a street car near the depot, a picture of a total wreck. He had on a long linen duster, the collar tucked down under the neck band of his shirt, which had no collar on, his cuffs were sticking out of his coat pocket, his eyes looked heavy, and where the dirt had come off with the perspiration he looked pale and he was cross as a bear.
