Anna Dickinson has done very wrong. She has struck Fanny in a vital part. An actress with a wardrobe is one of the noblest works of nature. She is the next thing to an honest man, which is the noblest work, though we do not say it boastingly. We say she is next to an honest man, with a wardrobe, but if she has no wardrobe it is not right.
However, we will change the subject before it gets too deep for us.
Now, the question is, what is Anna Dickinson going to do with Fanny's wardrobe? She may think Fanny's talent goes with it, but if she will carefully search the pockets she will find that Fanny retains her talent, and has probably hid it under a bushel, or an umbrella; or something, before this time. Anna cannot wear Fanny's wardrobe to play on the stage, because she is not bigger than a banana, while Fanny is nearly six feet long, from tip to tip. If Anna should come out on a stage with the Davenport wardrobe, the boys would throw rolls of cotton batting at her.
Fanny's dress, accustomed to so much talent, would have to be stuffed full of stuff. There would be room in Fanny's dress, if Anna had it on, as we remember the two, to put in a feather bed, eleven rolls of cotton batting, twelve pounds of bird seed, four rubber air cushions, two dozen towels, two brass bird cages, a bundle of old papers, a sack of bran and a bale of hay. That is, in different places. Of course all this truck wouldn't go in the dress in any one given locality. If Anna should put on Fanny's dress, and have it filled up so it would look any way decent, and attempt to go to Canada, she would be arrested for smuggling.
Why, if Dickinson should put on a pair of Davenport's stockings, now for instance, it would be necessary to get out a search warrant to find her. She could pin the tops of them at her throat with a brooch, and her whole frame would not fill one stocking half as well as they have been filled before being attached, and Anna would look like a Santa Claus present of a crying doll, hung on to a mantel piece.
Fanny Davenport is one of the handsomest and splendidest formed women on the American stage, and a perfect lady, while Dickinson, who succeeds to her old clothes through the law, is small, not handsome, and a quarrelsome female who thinks she has a mission. The people of this country had rather see Fanny Davenport without any wardrobe to speak of than to see Dickinson with clothes enough to start a second hand store.
DON'T LEAVE YOUR GUM AROUND.
A woman at Wyocena, who chews gum, laid her “quid” on a green paper box, and when she came to chew it again was poisoned and it was with difficulty her life was saved. This reminds us of an accident that happened to Mary Anderson when she was here last. Mary will remember that in the second scene of “Ingomar,” just when Parthenia was winding herself around the heart of the barbarian, she looked pale, and whenever she would try to say sweet words to him, she acted as though she was on a lake excursion.
During some of the love passages we remember a far away look in her eyes, as though she was searching for the unfathomable, or looking for a friendly railing to lean over, and when her bosom heaved with emotion she acted as though she expected to hear from down country, and doubted whether her boots would remain on her feet or throw up their situation. Those who sat in the left box will remember that when she threw her head on Ingomar's shoulder, that she spit cotton over towards the back of the stage, and acted like the little girl that had been eating tomatoes.