Marechal interrupted her gently.
"All fair people are like that," he affirmed with ironical gayety. "You cannot understand it, Madame; you are dark."
Then Madame Desvarennes became angry.
"Be quiet," she said, "you are stupid! She ought to have a shower-bath!
She is mad!"
As for Cayrol he lived in ecstasy, like an Italian kneeling before a madonna. He had never been so happy; he was overwhelmed with joy. Until then, he had only thought of business matters. To be rich was the aim of his life; and now he was going to work for happiness. It was all pleasure for him. He was not blase; he amused himself like a child, adorning the rooms which were to be occupied by Jeanne. To his mind nothing was too expensive for the temple of his goddess, as he said, with a loud laugh which lighted up his whole face. And when he spoke of his love's future nest, he exclaimed, with a voluptuous shiver:
"It is charming; a veritable little paradise!" Then the financier shone through all, and he added:
"And I know what it costs!"
But he did not grudge his money. He knew he would get the interest of it back. On one subject he was anxious—Mademoiselle de Cernay's health. Since the day of their engagement, Jeanne had become more serious and dull. She had grown thin and her eyes were sunken as if she wept in secret. When he spoke of his fears to Madame Desvarennes, the latter said:
"These young girls are so senseless. The notion of marriage puts them in such an incomprehensible state! Look at my daughter. She chatters like a magpie and skips about like a kid. She has two glow-worms under her eyelids! As to Jeanne, that's another affair; she has the matrimonial melancholy, and has the air of a young victim. Leave them alone; it will all come right. But you must admit that the gayety of the one is at least as irritating as the languor of the other!"
Cayrol, somewhat reassured by this explanation, and thinking, like her, that it was the uncertainties of marriage which were troubling Jeanne, no longer attached any importance to her sad appearance. Micheline and Serge isolated themselves completely. They fled to the garden as soon as any one ventured into the drawing room, to interrupt their tete-a-tete. If visitors came to the garden they took refuge in the conservatory.