Fabre, Poet of Science

by Georges Victor Legros

His early childhood, however, was passed almost wholly at Malaval, a tiny hamlet in the parish of Lavaysse, whose belfry was visible at quite a short distance; but to reach it one had to travel nearly twenty-five rough, mountainous miles, through a whole green countryside; green, but bare, and lacking in charm. [(1/1.)]

All his paternal forebears came from Malaval, and thence one day his father, Antoine Fabre, came to dwell at Saint-Léons, as a consequence of his marriage with the daughter of the huissier, Victoire Salgues, and in order to prepare himself, as working apprentice, in the tricks and quibbles of the law. [(1/2.)]

In the roads of Malaval, bordered with brambles, in the glades of bracken, and amid the meadows of broom, he received his first impressions of nature. At Malaval too lived his grandmother, the good old woman who could lull him to sleep at night with beautiful stories and simple legends, while she wound her distaff or spun her bobbin.

But what were all these imaginary marvels, what were the ogres who smelt fresh meat, or "the fairies who turned pumpkins into coaches and lizards into footmen" beside all the marvels of reality, which already he was beginning to perceive?

For above all things he was born a poet: a poet by instinct and by vocation. From his earliest childhood, "the brain hardly released from the swaddling-bands of unconsciousness," the things of the outer world left a profound and living impression. As far back as he can remember, while still quite a child, "a little monkey of six, still dressed in a little baize frock," or just "wearing his first braces," he sees himself "in ecstasy before the splendours of the wing-cases of a gardener-beetle, or the wings of a butterfly." At nightfall, among the bushes, he learned to recognize the chirp of the grasshopper. To put it in his own words, "he made for the flowers and insects as the Pieris makes for the cabbage and the Vanessa makes for the nettle." The riches of the rocks; the life which swarms in the depth of the waters; the world of plants and animals, that "prodigious poem; all nature filled him with curiosity and wonder." "A voice charmed him; untranslatable; sweeter than language and vague as a dream." [(1/3.)]

These peculiarities are all the more astonishing in that they seem to be absolutely spontaneous and in nowise hereditary. What his parents were he himself has told us: small farmers, cultivating a little unprofitable land; poor "husbandmen, sowers of rye, cowherds"; and in the wretched surroundings of his childhood, when the only light, of an evening, came from a splinter of pine, steeped in resin, which was held by a strip of slate stuck into the wall; when his folk shut themselves in the byre, in times of severe cold, to save a little firewood and while away the evenings; when close at hand, through the bitter wind, they heard the howling of the wolves: here, it would seem, was nothing propitious to the birth of such tastes, if he had not borne them naturally within him.

But is it not the very essence of genius, as it is the peculiarity of instinct, to spring from the depths of the invisible?

Yet who shall say what stores of thought unspoken, what unknown treasures of observation never to be communicated, what patient reflections unuttered, may be housed in those toil-worn brains, in which, perhaps, slowly and obscurely, accumulate the germs of faculties and talents by which some more favoured descendant may one day benefit? How many poets have died unpublished or unperceived, in whom only the power of expression was lacking!

When he was seven years old his parents recalled him to Saint-Léons, in order to send him to the school kept by his godfather, Pierre Ricard, the village schoolmaster, "at once barber, bellringer, and singer in the choir." Rembrandt, Teniers, nor Van Ostade never painted anything more picturesque than the room which served at the same time as kitchen, refectory, and bedroom, with "halfpenny prints papering the walls" and "a huge chimney, for which each had to bring his log of a morning in order to enjoy the right to a place at the fireside."

He was never to forget these beloved places, blessed scenes of his childhood, amid which he grew up like a little savage, and through all his material sufferings, all his hours of bitterness, and even in the resignation of age, their idyllic memory sufficed to make his life fragrant. He would always see the humble paternal garden, the brook where he used to surprise the crayfish, the ash-tree in which he found his first goldfinch's nest, and "the flat stone on which he heard, for the first time, the mellow ringing of the bellringer frog." [(1/4.)] Later, when writing to his brother, he was to recall the good days of still careless life, when "he would sprawl, the sun on his belly, on the mosses of the wood of Vezins, eating his black bread and cream" or "ring the bells of Saint-Léons" and "pull the tails of the bulls of Lavaysse." [(1/5.)]