HORNIG
It'll not surprise me if this ends badly.
WELZEL
To think that even old fellows like him are goin' right off their heads!
HORNIG
We all set our hearts on something!
END OF THE THIRD ACT
THE FOURTH ACT
_Peterswaldau.—Private room of DREISSIGER, the fustian manufacturer—luxuriously furnished in the chilly taste of the first half of this century. Ceiling, doors, and stove are white, and the wall paper, with its small, straight-lined floral pattern, is dull and cold in tone. The furniture is mahogany, richly-carved, and upholstered in red. On the right, between two windows with crimson damask curtains, stands the writing-table, a high bureau with falling flap. Directly opposite to this is the sofa, with the strong-box; beside it; in front of the sofa a table, with chairs and easy-chairs arranged about it. Against the back wall is a gun-rack. All three walls are decorated with bad pictures in gilt frames. Above the sofa is a mirror with a heavily gilt rococo frame. On the left an ordinary door leads into the hall. An open folding door at the back shows the drawing-room, over-furnished in the same style of comfortless ostentation. Two ladies, MRS. DREISSIGER and MRS. KITTELHAUS, the Pastor's wife, are seen in the drawing-room, looking at pictures. PASTOR KITTELHAUS is there too, engaged in conversation with WEINHOLD, the tutor, a theological graduate.