To us, with the headlong flight of Darius and the triumph of the conqueror surging before our eyes, the broken ground round the site of the ancient stronghold piled itself into ruined turret and rampart, sank into half-obliterated fosse and ditch. Where we imagined the walls to have been, we discovered a solid piece of masonry, and our minds reeled at the thought that it was wildly possible Alexander’s eyes might have rested on this even brickwork. Time has made gates in the battlements, but the desert has not even yet established unquestioned rule within them. At the foot of the wall we came upon a living pool lying under the shadow of a plane-tree. Round such a pool the sick men of Bethsaida gathered and waited for the stirring of the waters, but in Rages all was solitude, ‘and the desired angel came no more.’
Towards the east two parallel lines of hills rear themselves out of the desert, dividing it from the wider stretch of desert that reaches southward to Isfahan. Between the hills lies a stony valley, up which we turned our steps, and which led us to the heart of desolation and the end of all things. Half-way up the hillside stands a tower, whose whitewashed wall is a landmark to all the country round. Even from the far distant peaks of the opposite mountains, the Tower of Silence is visible, a mocking gleam reminding the living of the vanity of their eager days. For the tower is the first stage in the weary journey of the dead; here they come to throw off the mantle of the flesh before their bones may rest in the earth without fear of defiling the holy element, before their souls, passing through the seven gates of the planets, may reach the sacred fire of the sun.
The tower is roofless; within, ten or twelve feet below the upper surface of its wall, is a chalky platform on which the dead bodies lie till sun and vultures have devoured them. This grim turret-room was untenanted. Zoroaster’s religion has faded from that Media where once it reigned, and few and humble now are the worshippers who raise prayers to Ormuzd under the open heaven, and whose bodies are borne up the stony valley and cast into the Tower of Silence.
We dismounted from our horses and sat down on the hillside. The plain stretched below us like a monotonous ocean which had billowed up against the mountain flanks and had been fixed there for ever; we could see the feet of the mountains themselves planted firmly in the waves of dust, and their glistening peaks towering into the cloudless sky; the very bones of the naked earth were exposed before us, and the fashion of its making was revealed.
With the silence of an extinct world still heavy upon us, we made our way to the upper end of the valley, but at the gates of the plain Life came surging to meet us. A wild hollyhock stood sentinel among the stones; it had spread some of its yellow petals for banner, and on its uplifted spears the buds were fat and creamy with coming bloom. Rain had fallen in the night, and had called the wilderness itself to life, clothing its thorns with a purple garment of tiny flowers; the delicious sun struck upon our shoulders; a joyful little wind blew the damp, sweet smell of the reviving earth in gusts towards us; our horses sniffed the air and, catching the infection of the moment, tugged at the bit and set off at racing speed across the rain-softened ground. And we, too, passed out of the silence and remembered that we lived. Life seized us and inspired us with a mad sense of revelry. The humming wind and the teeming earth shouted ‘Life! life!’ as we rode. Life! life! the bountiful, the magnificent! Age was far from us—death far; we had left him enthroned in his barren mountains, with ghostly cities and out-worn faiths to bear him company. For us the wide plain and the limitless world, for us the beauty and the freshness of the morning, for us youth and the joy of living!
IN PRAISE OF GARDENS
There is a couplet in an Elizabethan book of airs which might serve as a motto for Eastern life: ‘Thy love is not thy love,’ says the author of the songs in the ‘Muses’ Garden of Delights’ (and the pretty stilted title suits the somewhat antiquated ring of the lines):