“What, ladies!” said I, “is not M. de Voltaire good-natured, polite, and affable to you who have been kind enough to act in his plays with him?”
“Not in the least. When he hears us rehearse he grumbles all the time. We never say a thing to please him: here it is a bad pronunciation, there a tone not sufficiently passionate, sometimes one speaks too softly, sometimes too loudly; and it’s worse when we are acting. What a hubbub there is if one add a syllable, or if some carelessness spoil one of his verses. He frightens us. So and so laughed badly; so and so in Alzire had only pretended to weep.”
“Does he want you to weep really?”
“Certainly. He will have real tears. He says that if an actor wants to draw tears he must shed them himself.”
“I think he is right there; but he should not be so severe with amateurs, above all with charming actresses like you. Such perfection is only to be looked for from professionals, but all authors are the same. They never think that the actor has pronounced the words with the force which the sense, as they see it, requires.”
“I told him, one day, that it was not my fault if his lines had not the proper force.”
“I am sure he laughed.”
“Laughed? No, sneered, for he is a rude and impertinent man.”
“But I suppose you overlook all these failings?”
“Not at all; we have sent him about his business.”