“Sent him about his business?”
“Yes. He left the house he had rented here, at short notice, and retired to where you will find him now. He never comes to see us now, even if we ask him.”
“Oh, you do ask him, though you sent him about his business?”
“We cannot deprive ourselves of the pleasure of admiring his talents, and if we have teased him, that was only from revenge, and to teach him something of the manners of good society.”
“You have given a lesson to a great master.”
“Yes; but when you see him mention Lausanne, and see what he will say of us. But he will say it laughingly, that’s his way.”
During my stay I often saw Lord Rosebury, who had vainly courted my charming Dubois. I have never known a young man more disposed to silence. I have been told that he had wit, that he was well educated, and even in high spirits at times, but he could not get over his shyness, which gave him an almost indefinable air of stupidity. At balls, assemblies—in fact, everywhere, his manners consisted of innumerable bows. When one spoke to him, he replied in good French but with the fewest possible words, and his shy manner shewed that every question was a trouble to him. One day when I was dining with him, I asked him some question about his country, which required five or six small phrases by way of answer. He gave me an excellent reply, but blushed all the time like a young girl when she comes out. The celebrated Fox who was then twenty, and was at the same dinner, succeeded in making him laugh, but it was by saying something in English, which I did not understand in the least. Eight months after I saw him again at Turin, he was then amorous of a banker’s wife, who was able to untie his tongue.
At Lausanne I saw a young girl of eleven or twelve by whose beauty I was exceedingly struck. She was the daughter of Madame de Saconai, whom I had known at Berne. I do not know her after history, but the impression she made on me has never been effaced. Nothing in nature has ever exercised such a powerful influence over me as a pretty face, even if it be a child’s.
The Beautiful, as I have been told, is endowed with this power of attraction; and I would fain believe it, since that which attracts me is necessarily beautiful in my eyes, but is it so in reality? I doubt it, as that which has influenced me has not influenced others. The universal or perfect beauty does not exist, or it does not possess this power. All who have discussed the subject have hesitated to pronounce upon it, which they would not have done if they had kept to the idea of form. According to my ideas, beauty is only form, for that which is not beautiful is that which has no form, and the deformed is the opposite of the ‘pulchrum’ and ‘formosum’.
We are right to seek for the definitions of things, but when we have them to hand in the words; why should we go farther? If the word ‘forma’ is Latin, we should seek for the Latin meaning and not the French, which, however, often uses ‘deforme’ or ‘difforme’ instead of ‘laid’, ugly, without people’s noticing that its opposite should be a word which implies the existence of form; and this can only be beauty. We should note that ‘informe’ in French as well as in Latin means shapeless, a body without any definite appearance.