Their patient was unlike any other that they had known. Feverish, she had no fever; with a gentle, hacking cough, she had no lung trouble; nervous, she still was oblivious to very much that went on around her; hungering often for her child, she would not let him remain long with her when he came. Her sleep was broken, and she sometimes talked to herself, whether consciously or unconsciously they did not know. The doctor had no remedies but tonics—he did not understand the case; but he gently ventured the opinion that it was mostly a matter of race, that she was pining because civilisation had been infused into her veins—the old insufficient theory.

"Stuff and nonsense!" said General Armour, when his wife told him. "The girl bloomed till Frank came back. God bless my soul! she's falling in love, and doesn't know what it is."

He was only partly right, perhaps, but he was nearer the truth than the dealer in quinine and a cheap philosophy of life. "She'll come around all right, you'll see. Decline—decline be hanged! The girl shall live, —damn it, she shall!" he blurted out, as his wife's eyes filled with tears.

Mrs. Lambert was much of the same mind as the general, but went further. She said to Mrs. Armour that in all her life she had never seen so sweet a character, so sensitive a mind—a mind whose sorrow was imagination. And therein the little lady showed herself a person of wisdom. For none of them had yet reckoned with that one great element in Lali's character —that thing which is the birthright of all who own the North for a mother, the awe of imagination, the awe and the pain, which in its finest expression comes near, very near, to the supernatural. Lali's mind was all pictures; she never thought of things in words, she saw them; and everything in her life arrayed itself in a scene before her, made vivid by her sensitive soul, so much more sensitive now with health failing, the spirit wearing out the body. There was her malady—the sick heart and mind.

A new sickness wore upon her. It had not touched her from the day she left the North until she sang "The Chase of the Yellow Swan" that first evening after Frank's return. Ever since then her father was much in her mind—the memory of her childhood, and its sweet, inspiring friendship with Nature. All the roughness and coarseness of the life was refined in her memory by the exquisite atmosphere of the North, the good sweet earth, the strong bracing wind, the camaraderie of trees and streams and grass and animals. And in it all stood her father, whom she had left alone, in that interminable interval between the old life and the new.

Had she done right? She had cut him off, as if he had never been—her people, her country also; and for what? For this—for this sinking sense, this failing body, this wear and tear of mind and heart, this constant study to be possible where she had once been declared by the world to be impossible.

One night she lay sleeping after a rather feverish day, when it was thought best to keep the child from her. Suddenly she waked, and sat up. Looking straight before her, she said:

"I will arise, and will go to my Father, and will say unto Him, Father, I have sinned against heaven and before Thee, and am no more worthy to be called Thy son."

She said nothing more than this, and presently lay back, with eyes wide open, gazing before her. Like this she lay all night long, a strange, aching look in her face. There had come upon her the sudden impulse to leave it all, and go back to her father. But the child—that gave her pause. Towards morning she fell asleep, and slept far on into the day, a thing that had not occurred for a long time.

At noon a letter arrived for her. It came into General Armour's hands, and he, seeing that it bore the stamp of the Hudson's Bay Company, with the legend, From Fort St. Charles, concluded that it was news of Lali's father. Then came the question whether the letter should be given to her. The general was for doing so, and he prevailed. If it were bad news, he said, it might raise her out of her present apathy and by changing the play of her emotions do her good in the end.