“Mr. Ingolby ain’t in,” he said. “He went out a little while back. You got to wait,” he added sulkily, as he showed the Romany into Ingolby’s working-room.
As Jim did so, he saw lying on a chair a suit of clothes on top of which were a wig and false beard and moustache. Instantly he got between the visitor and the make-up. The parcel was closed when he was in the room a half-hour before. Ingolby had opened it since, had been called out, and had forgotten to cover the things up or put them away.
“Sit down,” Jim said to the Romany, still covering the disguise. Then he raised them in his arms, and passed with them into another room, muttering angrily to himself.
The Romany had seen, however. They were the first things on which his eyes had fallen when he entered the room. A wig, a false beard, and workman’s clothes! What were they for? Were these disguises for the Master Gorgio? Was he to wear them? If so, he—Jethro Fawe—would watch and follow him wherever he went. Had these disguises to do with Fleda—with his Romany lass?
His pulses throbbed; he was in an overwrought mood. He was ready for any illusion, susceptible to any vagary of the imagination.
He looked round the room. So this was the way the swaggering, masterful Gorgio lived?
Here were pictures and engravings which did not seem to belong to a new town in a new land, where everything was useful or spectacular. Here was a sense of culture and refinement. Here were finished and unfinished water-colours done by Ingolby’s own hand or bought by him from some hard-up artist earning his way mile by mile, as it were. Here were books, not many, but well-bound and important-looking, covering fields in which Jethro Fawe had never browsed, into which, indeed, he had never entered. If he had opened them he would have seen a profusion of marginal notes in pencil, and slips of paper stuck in the pages to mark important passages.
He turned from them to the welcome array of weapons on the walls-rifles, shotguns, Indian bows, arrows and spears, daggers, and great sheath-knives such as are used from the Yukon to Bolivia, and a sabre with a faded ribbon of silk tied to the handle. This was all that Max Ingolby had inherited from his father—that artillery sabre which he had worn in the Crimea and in the Indian Mutiny. Jethro’s eyes wandered eagerly over the weapons, and, in imagination, he had each one in his hand. From the pained, angry confusion he felt when he looked at the books had emerged a feeling of fanaticism, of feud and war, in which his spirit regained its own kind of self-respect. In looking at the weapons he was as good a man as any Gorgio. Brains and books were one thing, but the strong arm, the quick eye, and the deft lunge home with the sword or dagger were better; they were of a man’s own skill, not the acquired skill of another’s brains which books give. He straightened his shoulders till he looked like a modern actor playing the hero in a romantic drama, and with quick vain motions he stroked and twisted his brown moustache, and ran his fingers through his curling hair. In truth he was no coward; and his conceit would not lessen his courage when the test of it came.
As his eyes brightened from gloom and sullenness to valiant enmity, they suddenly fell on a table in a corner where lay a black coffin-shaped thing of wood. In this case, he knew, was the Sarasate violin. Sarasate—once he had paid ten lira to hear Sarasate play the fiddle in Turin, and the memory of it was like the sun on the clouds to him now. In music such of him as was real found a home. It fed everything in him—his passion, his vanity; his vagabond taste, his emotions, his self-indulgence, his lust. It was the means whereby he raised himself to adventure and to pilgrimage, to love and license and loot and spying and secret service here and there in the east of Europe. It was the flagellation of these senses which excited him to do all that man may do and more.
He was going to play to the masterful Gorgio, and he would play as he had never played before. He would pour the soul of his purpose into the music—to win back or steal back, the lass sealed to him by the Starzke River.