[13] Place cited.
[14] My attention was first called to this story by the kindness of Professor A. C. L. Brown.
[15] An edition with an almost identical title “Printed and sold by Larkin How, in Petticoat Lane,” of which a copy is in the Harvard College library, does not contain our story.
[16] My attention was called to this variant by the kindness of Professor Kittredge.
Chapter III.
Tales with the Simple Theme and Miscellaneous Combinations.
Of the tales enumerated in the previous chapter, over one hundred in number, all but seventeen fall into well-defined categories as having The Grateful Dead combined with one or more of three given themes: The Possessed Woman, The Ransomed Woman, and The Water of Life. Of these seventeen variants, moreover, only four can be regarded as having the simple motive of The Grateful Dead; and they are in part doubtful members of the family.
The first of them is Simonides, thus related by Cicero: “Unum de Simonide: qui cum ignotum quendam proiectum mortuum vidisisset eumque humavisset haberetque in animo navem conscendere, moneri visus est ne id faceret ab eo, quem sepultura adfecerat; si navigavisset, eum naufragio esse periturum; itaque Simonidem redisse, perisse ceteros, qui tum navigavissent.” The source of Cicero’s story we do not know, but in all probability it was Greek. Whether it really belongs to our cycle, being so simple in form and nearly two centuries earlier in date than any other version yet unearthed, is a matter for very great doubt. It may have arisen quite independently of other similar tales in various parts of the world, and have no essential connection with our tale; but it deserves special consideration, not only from its antiquity, but also from its subsequent history in lineal descent through Valerius Maximus, and possibly Robert Holkot[1] to Chaucer. We are at least justified in looking for some influence of so well-known an anecdote upon better-authenticated members of the cycle.
The three other variants with the simple theme are all folk-tales of recent gathering. The first of them is Jewish,[2] which runs as follows: The son of a rich merchant of Jerusalem sets off after his father’s death to see the world. At Stamboul he finds hanging in chains the body of a Jew, which the Sultan has commanded to be left there until his co-religionists shall have repaid the sum that the man is suspected of having stolen from his royal master. The hero pays this sum, and has the corpse buried. Later during a storm at sea he is saved by a stone on which he is brought to land, whence he is carried by an eagle back to Jerusalem. There a white-clad man appears to him, explaining that he is the ghost of the dead, and that he has already appeared as stone and eagle. The spirit further promises the hero a reward for his good deed in the present and in the future life.