[28] Sir Amadas, for which see p. 37.

[29] Irish I., for which see pp. 62 and 64, Breton I., p. 65, and Sir Amadas.

[30] [vii].

[31] Hippe’s Lithauische III.

[32] See Hippe, pp. 156 f.

[33] Thus III. makes the princess a daughter of the King of Portugal, as in I.; IV. gives no names whatever; and V. makes the heroine’s father King of England.

[34] From Gascony, like III., IV., and V.

[35] The portraits are not displayed on the ship, but on Jean’s carriage,—a curious deviation.

[36] See pp. 27 and 57.

[37] See chapter vii.