In 1284 the first college was founded on an academic basis. This was Peterhouse. Its founder was Hugh de Balsham, Bishop of Ely, who had made the experiment of grafting secular scholars among the canons of St. John's Hospital, afterwards the college. Finding it difficult to reconcile the difficulties which arose between secular and religious, he transferred his lay scholars, or Ely clerks, to two hostels at the opposite end of the town, and at his death left 300 marks to build a hall where they could meet and dine. After this beginning there were no imitators until forty years had elapsed, but then colleges began to spring up rapidly. In 1324 Michael House was founded, and following it came six more in quick succession: Clare in 1326, King's Hall in 1337, Pembroke in 1347, Gonville Hall in 1348, Trinity Hall in 1350, and Corpus Christi in 1352. These constitute the first period of college-founding, separated from the succeeding by nearly a century.
The second period began in 1441 with King's, and ended with St. John's in 1509. After an interval of thirty-three years the third period commenced with Magdalene, and concluded with Sidney Sussex in 1595. A fourth group is composed of the half-dozen colleges belonging to last century.
CHAPTER III
THE GREATER COLLEGES
St. John's.—With its three successive courts and their beautiful gateways of mellowed red brick, St. John's is very reminiscent of Hampton Court. Both belong to the Tudor period, and both have undergone restorations and have buildings of stone added in a much later and entirely different style. Across the river stands the fourth court linked with the earlier buildings by the exceedingly beautiful "Bridge of Sighs."
To learn the story of the building of St. John's is a simple matter, for the first court we enter is the earliest, and those that succeed stand in chronological order,—eliminating, of course, Sir Gilbert Scott's chapel and the alterations of an obviously later period than the courts as a whole.
To Lady Margaret Beaufort, the foundress of the college, or, more accurately, to her executor, adviser and confessor, John Fisher, Bishop of Rochester, who carried out her wishes, we owe the first court, with its stately gateway of red brick and stone. It was built between 1511 and 1520 on the site of St. John's Hospital of Black Canons, suppressed as early as 1509.
[Illustration: THE LIBRARY WINDOW ST. JOHN'S COLLEGE FROM THE BRIDGE OF SIGHS. From this spot beautiful views are obtained up and down the river.]
The second court, also possessing a beautiful gate tower, was added between 1595 and 1620, the expense being mainly borne by Mary Cavendish, Countess of Shrewsbury, whose statue adorns the gateway. Filling the space between the second court and the river comes the third, begun in 1623, when John Williams, then Lord Keeper and Bishop of Lincoln, and afterwards Archbishop of York, gave money for erecting the library whose bay window, projecting into the silent waters of the Cam, takes a high place among the architectural treasures of Cambridge. If anyone carries a solitary date in his head after a visit to the University it is almost sure to be 1624, the year of the building of this library, for the figures stand out boldly above the Gothic window just mentioned. The remaining sides of the third court were built through the generosity of various benefactors, and then came a long pause, for it was not until after the first quarter of the nineteenth century had elapsed that the college was extended to the other side of the river. This new court came into existence, together with the delightful "Bridge of Sighs," between the years 1826 and 1831, when Thomas Rickman, an architect whose lectures and published treatises had given him a wide reputation, was entrusted with the work. The new buildings were not an artistic success, in spite of the elaborate Gothic cloister, with its stupendous gateway and the imposing scale of the whole pile. Their deficiencies might be masked or at least diminished if ivy were allowed to cover the unpleasing wall spaces, and perhaps if these lines are ever read by the proper authority such a simple and inexpensive but highly desirable improvement will come to pass.
The stranger approaching St. John's College for the first time might be easily pardoned for mistaking the chapel for a parish church, and those familiar with the buildings cannot by any mental process feel that the aggressive bulk of Sir Gilbert Scott's ill-conceived edifice is anything but a crude invasion. More than half a century has passed since this great chapel replaced the Tudor building which had unluckily come to be regarded as inadequate, but the ponderous Early Decorated tower is scarcely less of an intrusion than when its masonry stood forth in all its garish whiteness against the time-worn brick of Lady Margaret Beaufort's court. A Perpendicular tower would have added a culminating and satisfying feature to the whole cluster of courts, and by this time would have been so toned down by the action of weather that it would have fallen into place as naturally as the Tudor Gothic of the Houses of Parliament has done in relation to Westminster Abbey. Like Truro Cathedral, and other modern buildings imitating the Early English style, the interior is more successful than the exterior; the light, subdued and enriched by passing through the stained glass of the large west window (by Clayton and Bell) and others of less merit, tones down the appearance of newness and gives to the masonry of 1869 a suggestion of the glamour of the Middle Ages. Fortunately, some of the stalls with their "miserere" seats were preserved when the former chapel was taken down, and these, with an Early English piscina, are now in the chancel of the modern building. The Tudor Gothic altar tomb of one of Lady Margaret's executors—Hugh Ashton, Archdeacon of York—has also been preserved.