[CHAPTER VIII]

Who have adopted it?—Real art needful for all men—Our art too expensive, too unintelligible, and too harmful for the masses—The theory of “the elect” in art 67

[CHAPTER IX]

Perversion of our art—It has lost its natural subject-matter—Has no flow of fresh feeling—Transmits chiefly three base emotions 73

[CHAPTER X]

Loss of comprehensibility—Decadent art—Recent French art—Have we a right to say it is bad and that what we like is good art?—The highest art has always been comprehensible to normal people—What fails to infect normal people is not art 79

[CHAPTER XI]

Counterfeits of art produced by: Borrowing; Imitating; Striking; Interesting—Qualifications needful for production of real works of art, and those sufficient for production of counterfeits 106

[CHAPTER XII]

Causes of production of counterfeits—Professionalism—Criticism—Schools of art 118