[CHAPTER XIII]

Wagner’s “Nibelung’s Ring” a type of counterfeit art—Its success, and the reasons thereof 128

[CHAPTER XIV]

Truths fatal to preconceived views are not readily recognised—Proportion of works of art to counterfeits—Perversion of taste and incapacity to recognise art—Examples 143

[CHAPTER XV]

The quality of art, considered apart from its subject-matter—The sign of art: infectiousness—Incomprehensible to those whose taste is perverted—Conditions of infection: Individuality; Clearness; Sincerity 152

[CHAPTER XVI]

The quality of art, considered according to its subject-matter—The better the feeling the better the art—The cultured crowd—The religious perception of our age—The new ideals put fresh demands to art—Art unites—Religious art—Universal art—Both co-operate to one result—The new appraisement of art—Bad art—Examples of art—How to test a work claiming to be art 156

[CHAPTER XVII]

Results of absence of true art—Results of perversion of art: Labour and lives spent on what is useless and harmful—The abnormal life of the rich—Perplexity of children and plain folk—Confusion of right and wrong—Nietzsche and Redbeard—Superstition, Patriotism, and Sensuality 175