As I have already referred to Papuan mummies earlier in this communication and at some future time intend to devote a special memoir to the full discussion of the methods of the Torres Straits embalmers, I shall not go into the matter in detail here. I should like, however, to call special attention to the admirable account given by Haddon and Myers ([25]) of the associated funeral rites.
In his memoir Flower described two interesting mummies, then in the Museum of the Royal College of Surgeons in London, one “brought in 1872 from Darnley Island in Torres Strait by Mr. Charles Lemaistre, Captain of the French barque ‘Victorine,’ and the other, an Australian mummy, obtained in 1845 near Adelaide, by Sir George Grey.” By a curious and utterly incomprehensible act of vandalism these extremely rare and priceless ethnological specimens were deliberately destroyed by Sir William Flower, who naively explains his extraordinary action by the statement “as the skeleton will form a more instructive specimen when the dried and decaying integuments are removed I have had it cleaned” (p. 393)! He treated in the same manner the second mummy, the only example of its kind, so far as I am aware, in this country! His photographs show that these two specimens, so far from being “decaying,” were in a remarkably good state of preservation at the time he doomed them to destruction.
Captain Lemaistre found the Torres Strait mummy “in its grave, which consisted of a high straw and bamboo hut of round form: it was not lying down, but standing up on the stretcher” ([19], p. 389). This is a close parallel to the African customs—mummification, burial in a house of round form, and fixing the corpse to a rough form of funeral bier, which is stood up in the house.
The skin was painted red, the scalp black. “The sockets of the eyes were filled with a dark brown substance, apparently a vegetable gum.... In this was imbedded a narrow oval piece of mother of pearl, pointed at each end, in the centre of the anterior surface of which is fixed a round mass of the same resinous substance, representing the pupil of the eye” (p. 301).
“Both nostrils had been distended.”
“In the right flank was a longitudinal incision, 3½ inches in length, extending between the last rib and the crest of the ilium. This had been very neatly closed by what is called in surgery the interrupted suture.... The whole of the pelvic, abdominal and thoracic viscera had been removed, and their place was occupied by four pieces of very soft wood.... Except the wound in the flank, there was no other opening or injury to the skin” (p. 391).
“Heads and bodies prepared in a similar way” are found in many museums, and afford an interesting illustration of the old Egyptian practice of paying special attention to the head. This is all the more instructive in view of the fact that it was common in certain regions, especially Mallicolo in the New Hebrides, to restore the features by means of clay and resinous paste, usually making use of the skull as a basis, but occasionally modelling the whole body,[17] the model including parts of the deceased’s skeleton (see Henry Balfour’s article, “Memorial Heads in the Pitt Rivers Museum,” Man, Vol. I., 1901, p. 65). These modelling-practices and especially the fact that they usually deal with the head (or even face) only afford an interesting confirmation of the Egyptian origin of these customs (vide supra, etc., [40]).
In the 6th volume of the reports of the Cambridge Anthropological Expedition to Torres Straits, C. S. Myers and Haddon ([25], pp. 129 and 135) give a detailed account of the funeral ceremonies from which I quote certain points. “As soon as death had occurred the women of the village started wailing. The corpse was placed on the ground on a mat in front of the house; the arms were placed close to the side; the great toes were tied together by a string; the hair of the head and face was cut off and thrown away; the length of the nose was then measured with a piece of wax, which was preserved by a female relative for subsequent use in making a wax mask for the prepared skull. The dead man’s bow and arrow and his stone-headed club were laid beside him” (p. 129). The Egyptian analogies in all of these procedures is quite obvious.