“Five men wearing masks performed a series of manœuvres ending up with flexion of the arms and a bending of the head. This movement was said to indicate the rising and setting of the sun and to be symbolic of the life and death of man.
“Mourners then took the body and placed it upon a wooden framework, which stood upon four wooden supports at a little distance from the house of the deceased. The relatives then took large yams and placed them beside the body on the framework; they also hung large bunches of bananas upon the bamboos around. This was regarded as nourishment for the ghost, which was supposed to eat it at night-time (p. 135).
“In two or three days when the skin of the body had become loose the framework was taken up to the reef in a small canoe; the epidermis was then rubbed off and by means of a sharp shell a small incision was made in the side of the abdomen (in the right side, at least, in the case of women), whence the viscera were extracted.
“The perineum was incised in the males.”
From a study of all the literature regarding this custom, as well as the actual specimens now in Sydney and Brisbane, it is clear that the incision may be made either in the left or right flank or in the perineum, and that sex does not determine the site.
“The abdominal cavity was then filled up with pieces of Nipa palm; the viscera were thrown into the sea and the incision closed by means of fine fish line. An arrow was used to remove the brain, partly by way of the foramen magnum and partly through a small slit which was made in the back of the neck. The ‘strong skin’ of the brain (the dura mater) was first cut and then the ‘soft skin’ was pulled out.
“The body was then brought back to the island and was placed in a sitting position upon a stone; the entire body was then painted with a mixture of red earth and sea water. The head, body and limbs were then lashed to the framework with string and a small stick was affixed to the lower jaw to keep it from drooping. The framework, with its burden, was fastened vertically to two posts set up in the rear of the house, and it was protected from public view by a screen of coconut leaves. The body was then gently rubbed down and holes were made with the point of an arrow so that the juices might escape. A fire was always kept alight beneath the body, ‘by-n-by meat swell up’ (p. 136).
“D’Albertis ([1]) saw in Darnley Island the mummy of a man, who had been dead over a year, standing in the middle of the widow’s house attached to a kind of upright ladder of poles. They tint him from time to time with red chalk (ochre) and keep his skin soft by anointing it with coconut oil” (p. 137).
In the Berlin Museum für Volkerkunde there are mummies of two children, photographs of which, obtained from Professor von Luschan, are reproduced by Dr. Haddon. They were given to Dr. Bastian by the Rev. James Chamlers in 1880, having been obtained at Stephen’s Island. One of them is a small girl a few days old. The body is painted red all over, except the scalp and eyebrows, which are blackened. The other one was a small girl two or three years of age treated in a similar way; the incision for embalming is on the left side and has been sewn up.
“In 1845 Jukes saw on the lap of a woman of Darnley Island the body of a child a few months old which seemed to have been dead for some time. It was stretched on a framework of sticks and smeared over with a thick red pigment, which dressing she was engaged in renewing. (“Voyage of the ‘Fly,’” Vol. I., 1847, p. 246)” (p. 138).