123. Dunwege: German School. The Family of St. Anne, resembling in subject the Quentin Matsys at Brussels. Centre, St. Anne enthroned. Below her, Our Lady and the Divine Child. (Often Our Lady sits on St. Anne’s lap.) L., Joachim offers St. Anne and Our Lady cherries. (See Legends of the Madonna.) R., St. Joseph, with his staff and robe. On either side, the Maries, with their children, here legibly named, and their husbands. (From a church at Calcar.)
Above this, 523. Triptych: Madonna and Child, with donors and patron saints (Sebastian and Mary Magdalen). Note their symbols. On either side,
Van der Meire: 388: Mater Dolorosa; her breast pierced with a sword: and on the other side of the triptych 389 (attribution doubtful, according to Lafenestre), a donatrix with St. Catherine, holding the sword of her martyrdom.
569. School of Gossaert, Way to Calvary, with the usual brutal soldiers.
47. Herri Met de Bles: Repose on the Flight into Egypt. Notice the sleeping St. Joseph, and the staff, basket, and gourd, which mark this subject.
539. Good unknown Flemish portrait.
Beyond this, a frame containing five excellent small pictures.
243. Quentin Matsys: *St. Mary Magdalen with her alabaster box. Sweet and simple. In reality, portrait of an amiable round-faced Flemish young lady, in the character of her patron saint. Her home forms the background.
526 and 538. Fine unknown portraits.
199. *Exquisite and delicate miniature by Hans Holbein the Younger. (Lafenestre doubts the attribution.)