132. Fouquet, the old French painter, 1415-1485. Hard old French picture of a Madonna and Child, of the regal French type, with solid-looking red and blue cherubs. Said to be a portrait of Agnes Sorel, mistress of Charles VII. From the Cathedral of Melun.
Then, another case, containing six delicate works of the first importance.
396. *Roger van der Weyden (more probably, School of Van Eyck): Annunciation. The angel Gabriel, in an exquisitely painted bluish-white robe, has just entered. Our Lady kneels at her prie-dieu with her book. In the foreground, the Annunciation lily; behind, the bed-chamber. The Dove descends upon her head. This is one of the loveliest works in the collection.
253. Memling: **Exquisite portrait of a Premonstratensian Canon.
28. Dierick Bouts: The Madonna and Child. An excellent specimen of his hard, careful manner.
203. Lucas of Leyden: David playing before Saul.
30. Bril, 1556-1626. Fine miniature specimen of later Flemish landscape, with the Prodigal Son in the foreground.
559. Unknown but admirable portrait of a man.
223. Justus van Ghent: Nativity, with Adoration of the Shepherds. A good picture, full of interesting episodes.
Beyond these, another case, containing fine small works. A beautiful little *Madonna with the Fountain of Life (411) by Jan van Eyck, closely resembling a large one by Meister Wilhelm, in the Museum at Cologne. Two good unknown portraits. A splendid **portrait of a medallist (5) by Antonello da Messina (sometimes attributed to Memling). A portrait (33) of François II. of France as a child, by Clouet, of the old French School. A characteristic *Albert Dürer (124), portrait of Frederick III. of Saxony: and a good Gossaert (182). These do not need description, but should be closely studied.