Surrounded by such dangers, it becomes twofold the duty of an author carefully to avoid distortion in the outline of his pictures, and to keep his own soul free from unjust prepossession. To give the highest expression to the beautiful in its noblest form is not the privilege of every time; but, in all times alike, it is the duty of the writer of fiction to be true to his art and to his country. To seek for this truth, and where found to exhibit it, I hold to be the duty of my own life.

And now let me dedicate, with deepest reverence, my unimportant work to you, my honored lord. I shall rejoice if this novel leaves on the mind of your highness the impression that its conception is in faithful keeping with the laws of life and of art, without ever being a slavish copy of the accidental occurrences of the day.

Gustav Freytag.

Leipsic, April, 1855.


DEBIT AND CREDIT.


CHAPTER I.

Ostrau is a small town near the Oder, celebrated even as far as Poland for its gymnasium and its gingerbread. In this patriarchal spot had dwelt for many years the accountant-royal, Wohlfart, an enthusiastically loyal subject, and a hearty lover of his fellow-men—with one or two exceptions. He married late in life, and his wife and he lived in a small house, the garden of which he himself kept in order. For a long time the happy pair were childless; but at length came a day when the good woman, having smartened up her white bed-curtains with a broad fringe and heavy tassels, disappeared behind them amid the approbation of all her female friends. It was under the shade of those white bed-curtains that the hero of our tale was born.

Anton was a good child, who, according to his mother, displayed remarkable peculiarities from the very day of his birth. For instance, he had a great objection to going to bed at the proper hour; he would pore time untold over his picture-alphabet, and hold lengthy conversations with the red cock depicted upon its last page, imploring him to exert himself in the cause of his young family, and not allow the maid-servant to carry them off and roast them. Lastly, he would often run away from his playfellows, and sit lost in thought in a corner of the room. His greatest delight, however, was to perch himself on a chair opposite his father, cross his legs in the same way, and smoke a mimic pipe in emulation. Moreover, he was so seldom naughty, that all such of the female population of Ostrau as took a gloomy view of things in general held it doubtful that he could live to grow up, till one day Anton publicly thrashed the councilor's son, which in some degree modified the opinions concerning him. In short, he was just the boy that the only child of warm-hearted parents might be expected to prove. At school he was an example of industry; and when the drawing-master began to declare that he must be a painter, and the classical teacher to devote him to Philology, the boy might have been in some danger of being diverted from the serious pursuit of any one specific calling but for an accident which determined his choice.