CHAPTER III
SALAMMBÔ
The moon was rising just above the waves, and on the town which was still wrapped in darkness there glittered white and luminous specks:—the pole of a chariot, a dangling rag of linen, the corner of a wall, or a golden necklace on the bosom of a god. The glass balls on the roofs of the temples beamed like great diamonds here and there. But ill-defined ruins, piles of black earth, and gardens formed deeper masses in the gloom, and below Malqua fishermen’s nets stretched from one house to another like gigantic bats spreading their wings. The grinding of the hydraulic wheels which conveyed water to the highest storys of the palaces, was no longer heard; and the camels, lying ostrich fashion on their stomachs, rested peacefully in the middle of the terraces. The porters were asleep in the streets on the thresholds of the houses; the shadows of the colossuses stretched across the deserted squares; occasionally in the distance the smoke of a still burning sacrifice would escape through the bronze tiling, and the heavy breeze would waft the odours of aromatics blended with the scent of the sea and the exhalation from the sun-heated walls. The motionless waves shone around Carthage, for the moon was spreading her light at once upon the mountain-circled gulf and upon the lake of Tunis, where flamingoes formed long rose-coloured lines amid the banks of sand, while further on beneath the catacombs the great salt lagoon shimmered like a piece of silver. The blue vault of heaven sank on the horizon in one direction into the dustiness of the plains, and in the other into the mists of the sea, and on the summit of the Acropolis, the pyramidal cypress trees, fringing the temple of Eschmoun, swayed murmuring like the regular waves that beat slowly along the mole beneath the ramparts.
Salammbô ascended to the terrace of her palace, supported by a female slave who carried an iron dish filled with live coals.
In the middle of the terrace there was a small ivory bed covered with lynx skins, and cushions made with the feathers of the parrot, a fatidical animal consecrated to the gods; and at the four corners rose four long perfuming-pans filled with nard, incense, cinnamomum, and myrrh. The slave lit the perfumes. Salammbô looked at the polar star; she slowly saluted the four points of heaven, and knelt down on the ground in the azure dust which was strewn with golden stars in imitation of the firmament. Then with both elbows against her sides, her fore-arms straight and her hands open, she threw back her head beneath the rays of the moon, and said:
“O Rabetna!—Baalet!—Tanith!” and her voice was lengthened in a plaintive fashion as if calling to some one. “Anaïtis! Astarte! Derceto! Astoreth! Mylitta! Athara! Elissa! Tiratha!—By the hidden symbols, by the resounding sistra,—by the furrows of the earth,—by the eternal silence and by the eternal fruitfulness,—mistress of the gloomy sea and of the azure shores, O Queen of the watery world, all hail!”
She swayed her whole body twice or thrice, and then cast herself face downwards in the dust with both arms outstretched.
But the slave nimbly raised her, for according to the rites someone must catch the suppliant at the moment of his prostration; this told him that the gods accepted him, and Salammbô’s nurse never failed in this pious duty.
Some merchants from Darytian Gætulia had brought her to Carthage when quite young, and after her enfranchisement she would not forsake her old masters, as was shown by her right ear, which was pierced with a large hole. A petticoat of many-coloured stripes fitted closely on her hips, and fell to her ankles, where two tin rings clashed together. Her somewhat flat face was yellow like her tunic. Silver bodkins of great length formed a sun behind her head. She wore a coral button on the nostril, and she stood beside the bed more erect than a Hermes, and with her eyelids cast down.
Salammbô walked to the edge of the terrace; her eyes swept the horizon for an instant, and then were lowered upon the sleeping town, while the sigh that she heaved swelled her bosom, and gave an undulating movement to the whole length of the long white simar which hung without clasp or girdle about her. Her curved and painted sandals were hidden beneath a heap of emeralds, and a net of purple thread was filled with her disordered hair.