Rose opened a big green door with his latch-key, and at once a genial yellow glow poured out and painted itself upon the curtain of the fog. Mary stood on the steps as a young woman of middle height, pretty and vivacious, came hurrying to the door. "My dear girl!" she cried, "so here you are! Fabian swore that he would find you and bring you. Come in quick out of the cold."

Then she stopped, still holding the door open—something was going on outside, the not infrequent altercation with the London cabman, Mary thought.

This is what she heard. "Don't be so foolish, my friend"—it was Rose's voice.

"Foolish!" said the cabman. "Bit of oil right ter call me foolish, I don't fink! Nah, I don't tyke no money from you, J. F. R., stryke me Turnham Green, if I do! I've 'eard you speak, I read your harticles, hi do, and it's a fair exchynge. In the dyes ter come no one won't pye anyfink for anyfink. The Styte'll do it all. I've your word for it. I'm a practical Socialist, I am. So long, and keep 'ammering awye at them as keeps the land from the rightful howners, wich is heverybody."

He cracked his whip and disappeared into the fog.

Mr. Rose came into the hall, shut the door, and looked at the half sovereign in his hand with a sigh. His manner seemed a little subdued.

"A little in advance of the future," he said in a meditative voice; "dear, good fellow! And now, Lucia, take Miss Marriott upstairs."

When her hostess took her into the drawing-room Mary found several people there. All of them seemed to expect her, she had the sense of that at once. Her welcome was singularly cordial, she was in some subtle way made to feel that she was somebody. She did not quite realise this at the moment because the whole thing was too sudden and exciting. She perceived it afterwards when she thought everything over.

The drawing-room on the first floor was large, low-ceilinged, and singularly beautiful. Mary had never seen such a room before. She had a sort of idea that Socialists liked to live in places like the hall of a workhouse, or the class-room of a board school—drab and whitewash places. She did not know till some time afterwards that the room she was in had been arranged and designed for the Roses by William Morris and Walter Crane themselves.

It was, in truth, a lovely room.