"You will get no thanks for what you propose doing," said the stork-mother; "but you are the master, and must please yourself. I have nothing to say except at hatching-time."


At the Viking's castle near "the wild morass," whither the storks were flying in the spring, the little girl had received her name. She was called Helga; but this name was too soft for one with such dispositions as that lovely creature had. She grew fast month by month; and in a few years, even while the storks were making their habitual journeys in autumn towards the Nile, in spring towards "the wild morass," the little child had grown up into a big girl, and before any one could have thought it, she was in her sixteenth year, and a most beautiful young lady—charming in appearance, but hard and fierce in temper—the most savage of the savage in that gloomy, cruel time.

It was a pleasure to her to sprinkle with her white hands the reeking blood of the horse slaughtered for an offering. She would bite, in her barbarous sport, the neck of the black-cock which was to be slaughtered by the sacrificial priest; and to her foster-father she said in positive earnestness,

"If your enemy were to come and cast ropes over the beams that support the roof, and drag them down upon your chamber whilst you were sleeping, I would not awaken you if I could—I would not hear it—the blood would tingle as it does now in that ear on which, years ago, you dared to give me a blow. I remember it well."

But the Viking did not believe she spoke seriously. Like every one else, he was fascinated by her extreme beauty, and never troubled himself to observe if the mind of little Helga were in unison with her looks. She would sit on horseback without a saddle, as if grown fast to the animal, and go at full gallop; nor would she spring off, even if her horse and other ill-natured ones were biting each other. Entirely dressed as she was, she would cast herself from the bank into the strong current of the fiord, and swim out to meet the Viking when his boat was approaching the land. Of her thick, splendid hair she had cut off the longest lock, and plaited for herself a string to her bow.

"Self-made is well made," she said.

The Viking's wife, according to the manners and customs of the age in which she lived, was strong in mind, and decided in purpose; but with her daughter she was like a soft, timid woman. She was well aware that the dreadful child was under the influence of sorcery.

And Helga apparently took a malicious pleasure in frightening her mother. Often when the latter was standing on the balcony, or walking in the courtyard, Helga would place herself on the side of the well, throw her arms up in the air, and then let herself fall headlong into the narrow, deep hole, where, with her frog nature, she would duck and raise herself up again, and then crawl up as if she had been a cat, and run dripping of water into the grand saloon, so that the green rushes which were strewed over the floor partook of the wet stream.

There was but one restraint upon little Helga—that was the evening twilight. In it she became quiet and thoughtful—would allow herself to be called and guided; then too, she would seem to feel some affection for her mother; and when the sun sank, and the outer and inward change took place, she would sit still and sorrowful, shrivelled up into the form of a frog, though the head was now much larger than that little animal's, and therefore she was uglier than ever: she looked like a miserable dwarf, with a frog's head and webbed fingers. There was something very sad in her eyes; voice she had none except a kind of croak like a child sobbing in its dreams. Then would the Viking's wife take her in her lap; she would forget the ugly form, and look only at the melancholy eyes; and more than once she exclaimed,—