Above the house door of almost every home, in large portions of Japan, there is suspended the shimenawa, or a thin rope of rice straw, which is one of the sacred symbols of ancient Shintoism. Above the doors of high Shinto officials, this symbol is of great size and prominence. Its presence is as a sign of a covenant with the gods.[[201]]
The Greeks certainly recognized the entrance of the house as the place for an altar to the protecting deity. “Before each house stood, usually, its own peculiar altar of Apollo Agyieus, or an obelisk rudely representing the god himself;” and that over the house door, “for good luck,” or as a talisman, “an inscription was often placed.”[[202]] And on occasions, as when a bride entered her husband’s house, the doorway was “ornamented with festive garlands.”[[203]] Theocritus refers to a Greek custom of smearing the side-posts of the gateway with the juice of magic herbs, as a method of appeal to the guardian deity to influence the heart of the dweller within toward the suppliant at the door.[[204]]
Roman householders affixed to the lintels and side-posts of their doors the spoils and trophies taken by them in battle. Branches, and wreaths of bay and laurel, were hung by them in the doorway on a marriage occasion; and lamps and torches were displayed at their doors at other times of rejoicing; while cypresses were shown there at the time of a death.[[205]]
Texts of Scripture, and other inscriptions, as a means of invoking a blessing at the doorway, are frequently found at the present time above the entrance of houses in South Germany.
In Central America and in South America the blood of sacrificial offerings was smeared on the doorways of houses as well as of temples, as a means of covenanting with the local deities. Illustrations of this are found in the records and remains of Peru[[206]] and Guatemala.[[207]]
In both Europe and America, the practice of nailing horseshoes on the side-posts of a doorway, for “good luck,” or as a means of guarding the inmates of the house from evil, is very common. So lately as the seventeenth century it was said: “Most houses of the West End of London have the horseshoe on the threshold.”[[208]] Even at the threshold of Christian churches, in recent years, the symbol of the horseshoe was to be found as a means of protection.[[209]] The horseshoe is often to be found on a ship’s mast. At the present time, horseshoes of various sizes, for use as doorway guards against evil, are found on sale in Philadelphia, and other centers of civilization.
8. SYMBOL OF THE RED HAND.
It would seem that, in primitive practice, the hand of the covenanter dipped in the sacrificial blood on the threshold, and stamped on the door-posts and lintel, was the sign-manual of the covenant between the contracting party or parties, and God, or the gods, invoked in the sacrifice. Illustrations of this custom, as still surviving in the East, have been given, from Constantinople, Jerusalem, and Morocco.[[210]] Naturally, therefore, the sign-manual by itself came to stand for, or to symbolize, the covenant of the threshold altar; and the stamp of the red hand became a token of trust in God or the gods covenanted with in sacrifice, and of power or might resulting from this covenant relation. Wherever the red hand was shown, or found, it was a symbol of covenant favor with Deity, and it came to be known, accordingly, as the “hand of might.”
In the region of ancient Babylonia, also, the red-hand stamp is still to be seen on houses and on animals, apparently as the symbol of their covenant consecration by their owner. Dr. Hilprecht says: “Over all the doors of the rooms in the large khan of Hillah, on the Euphrates, partly built upon the ruins of ancient Babylon, I noticed the red impression of an outspread hand, when I was there in January, 1889. Several white horses in our caravan from Bagdâd to Nippur had the stamp of a red hand on their haunches.”
This symbol is much used in Jerusalem. Referring to its frequency, Major Conder says: “The ‘hand of might’ is another Jewish belief which may be supposed to have an Aryan origin. This hand is drawn on the lintel or above the arch of the door. Sometimes it is carved in relief, and before one house in the Jews’ quarter, in Jerusalem, there is an elaborate specimen, carefully sculptured and colored with vermilion. Small glass charms, in the form of the hand, are also worn, and the symbol is supposed to bring good luck. The Jewish and Arab masons paint the same mark on houses in course of construction; and, next to the seven-branched candlestick, it is probably the commonest house-mark in Jerusalem.”[[211]]