[82] Shaw, Decorative arts of the Middle Ages, Pl. 7.
[83] It is intended, however, to be looked at from the reverse side through the crystal—when the device appears like a cameo.
[84] Archæologia, LIX, p. 25.
[85] Figured by Shaw, Dresses and decorations, Pl. 88, where it is erroneously described as the clasp of the Emperor Charles V.
[86] Pollen, Gold and silversmith’s work in the S. Kensington Museum, p. 98.
[87] Beissel, Kunstschätze des Aachener Kaiserdomes, Pl. XIII.
[88] Barbet de Jouy, op. cit., Pl. X.
[89] Molinier, Donation de Adolphe de Rothschild, Pl. XIX.
[90] Giraud, Les arts du métal, Pl. VII.
[91] Probably a corruption of the Latin words nusca, nuxa, a brooch or fibula (Prompt. Parv., p. 359).