[92] Testamenta Eboracensia (Surtees Society), I, p. 267.
[93] This effigy, and that of Anne of Bohemia, and of Henry IV and his Queen, may be studied from reproductions in the National Portrait Gallery.
[94] Kalendars and Inventories of the Exchequer, III. p. 344, etc.
[95] Revue de l’art chrétien, 1887, p. 276; and Humann (G.), Die Kunstwerke der Münster-Kirche zu Essen, Pl. 62.
[96] Compare this jewel with “un damoisell seant en un solaill” in Henry IV’s inventory.
[97] Compare Henry IV’s “i. damoisell et i. unicorn.”
[98] The same motive is figured on a morse shown on the left wing of a picture in the Cologne Museum known as the “Sippenaltar” (by the Meister der heiligen Sippe), dating from the end of the fifteenth century. The jewel is worn by S. Nicasius. It is trefoil in shape, and decorated with the figure of an angel, full face, holding a large stone in front.
[99] This jewel once formed part of the treasure of the House of Burgundy, and came into the Imperial Collections through the marriage of Mary of Burgundy with the Emperor Maximilian I.
[100] Amongst others there are three in each of the cathedrals of Chichester, York, Winchester, and Durham, and two at Hereford (Archæologia, XLV, p. 404).
[101] Waterton (E.), “Episcopal rings” (Arch. Journ., XX, p. 224), 1863.