English Men of Letters: Coleridge

by H. D. Traill

Chapter IX

Life at Highgate-Renewed activity-Publications and re-publications – The Biographia Literaria – The lectures of 1818-Coleridge as a Shakespearian critic.

[1816-1818.]

The results of the step which Coleridge had just taken became speedily visible in more ways than one, and the public were among the first to derive benefit from it. For not only was he stimulated to greater activity of production, but his now more methodical way of life gave him time and inclination for that work of arrangement and preparation for the press which, distasteful to most writers, was no doubt especially irksome to him, and thus insured the publication of many pieces which otherwise might never have seen the light. The appearance of Christabel was, as we have said, received with signal marks of popular favour, three editions being called for and exhausted in the same year. In 1816 there appeared also The Statesman's Manual; or the Bible the best guide to Political Skill and Foresight: a Lay Sermon addressed to the higher classes of Society, with an Appendix containing Comments and Essays connected with the Study of the Inspired Writings; in 1817, another Lay Sermon addressed to the higher and middle classes on the existing distresses and discontents; and in the same year followed the most important publication of this period, the Biographia Literaria.

In 1817, too, it was that Coleridge at last made his long-meditated collection and classification of his already published poems, and that for the first time something approaching to a complete edition of the poet's works was given to the world. The Sibylline Leaves, as this reissue was called, had been intended to be preceded by another volume of verse, and "accordingly on the printer's signatures of every sheet we find Vol. II, appearing." Too characteristically, however, the scheme was abandoned, and Volume II. emerged from the press without any Volume I. to accompany it. The drama of Zapolya followed in the same year, and proved more successful with the public than with the critic of Drury Lane. The "general reader" assigned no "ludicrous objections to its metaphysics;" on the contrary, he took them on trust, as his generous manner is, and Zapolya, published thus as a Christmas tale, became so immediately popular that two thousand copies were sold in six weeks. In the year 1818 followed the three-volume selection of essays from the Friend, a reissue to which reference has already been made. With the exception of Christabel, however, all the publications of these three years unfortunately proceeded from the house of Gale and Fenner, a firm which shortly afterwards became bankrupt; and Coleridge thus lost all or nearly all of the profits of their sale.

The most important of the new works of this period was, as has been said, the Biographia Literaria, or, to give it its other title, Biographical Sketches of my Literary Life and Opinions. Its interest, however, is wholly critical and illustrative; as a narrative it would be found extremely disappointing and probably irritating by the average reader. With the exception of one or two incidental disclosures, but little biographical information is to be derived from it which is not equally accessible from sources independent of the author; and the almost complete want of sequence and arrangement renders it a very inconvenient work of reference even for these few biographical details. Its main value is to be found in the contents of seven chapters, from the fourteenth to the twentieth; but it is not going too far to say that, in respect of these, it is literally priceless. No such analysis of the principles of poetry – no such exact discrimination of what was sound in the modern "return-to-nature" movement from what was false – has ever been accomplished by any other critic, or with such admirable completeness by this consummate critic at any other time. Undoubtedly it is not of the light order of reading; none, or very little, of Coleridge's prose is. The whole of chapter xv., for instance, in which the specific elements of "poetic power" are "distinguished from general talent determined to poetic composition by accidental motives," requires a close and sustained effort of the attention, but those who bestow it will find it amply re-paid. I know of no dissertation conceived and carried out in terms of the abstract which in the result so triumphantly justifies itself upon application to concrete cases, As regards the question of poetic expression, and the laws by which its true form is determined, Coleridge's analysis is, it seems to me, final. I cannot, at least, after the most careful reflection upon it, conceive it as being other than the absolutely last word on the subject. Reasoning and illustration are alike so convincing that the reader, like the contentious student who listened unwillingly to his professor's demonstration of the first proposition of Euclid, is compelled to confess that "he has nothing to reply." To the judicious admirer of Wordsworth, to every one who, while recognising Wordsworth's inestimable services to English literature as the leader of the naturalist reaction in poetry, has yet been vaguely conscious of the defect in his poetic theory, and very keenly conscious of the vices of his poetic practice, – to all such persons it must be a profound relief and satisfaction to be guided as unerringly as Coleridge guides them to the "parting of the ways" of truth and falsity in Wordsworth's doctrines, and to be enabled to perceive that nothing which has offended him in that poet's thought and diction has any real connection with whatever in the poet's principles has commanded his assent. There is no one who has ever felt uneasy under the blasphemies of the enemy but must entertain deep gratitude for so complete a discharge as Coleridge has procured him from the task of defending such lines as

"And I have travelled far as Hull to see What clothes he might have left or other property."

Defend them indeed the ordinary reader probably would not, preferring even the abandonment of his theory to a task so humiliating. But the theory has so much of truth and value in it that the critic who has redeemed it from the discredit of Wordsworth's misapplications of it is entitled to the thanks of every friend of simplicity, who is at the same time an enemy of bathos. There is no longer any reason to treat the deadly commonplaces, amid which we toil through so many pages of the Excursion, as having any true theoretic affinity with its but too occasional majestic interludes. The smooth square-cut blocks of prose which insult the natural beauty of poetic rock and boulder even in such a scene of naked moorland grandeur as that of Resolution and Independence are seen and shown to be the mere intruders which we have all felt them to be. To the Wordsworthian, anxious for a full justification of the faith that is in him, the whole body of Coleridge's criticism on his friend's poetry in the Biographia Literaria may be confidently recommended. The refutation of what is untenable in Wordsworth's theory, the censure pronounced upon certain characteristics of his practice, are made all the more impressive by the tone of cordial admiration which distinguishes every personal reference to the poet himself, and by the unfailing discrimination with which the critic singles out the peculiar beauties of his poetry. No finer selection of finely characteristic Wordsworthian passages could perhaps have been made than those which Coleridge has quoted in illustration of his criticisms in the eighteenth and two following chapters of the Biographia Literaria. For the rest, however, unless indeed one excepts the four chapters on the Hartleian system and its relation to the German school of philosophy, the book is rather one to be dipped into for the peculiar pleasure which an hour in Coleridge's company must always give to any active intelligence, than to be systematically studied with a view to perfecting one's conception of Coleridge's philosophical and critical genius considered in its totality.

As to the two lay sermons, the less ambitious of them is decidedly the more successful. The advice to "the higher and middle classes" on the existing distresses and discontents contains at least an ingredient of the practical; its distinctively religious appeals are varied by sound political and economical arguments; and the enumeration and exposure of the various artifices by which most orators are accustomed to delude their hearers is as masterly as only Coleridge could have made it. Who but he, for instance, could have thrown a piece of subtle observation into a form in which reason and fancy unite so happily to impress it on the mind as in the following passage: "The mere appeal to the auditors, whether the arguments are not such that none but an idiot or an hireling could resist, is an effective substitute for any argument at all. For mobs have no memories. They are in nearly the same state as that of an individual when he makes what is termed a bull. The passions, like a fused metal, fill up the wide interstices of thought and supply the defective links; and thus incompatible assertions are harmonised by the sensation, without the sense of connection." The other lay sermon, however, the Statesman's Manual, is less appropriately conceived. Its originating proposition, that the Bible is "the best guide to political skill and foresight," is undoubtedly open to dispute, but might nevertheless be capable of plausible defence upon à priori grounds. Coleridge, however, is not content with this method of procedure; as, indeed, with so avowedly practical an object in view he scarcely could be, for a "manual" is essentially a work intended for the constant consultation of the artificer in the actual performance of his work, and ought at least to contain illustrations of the application of its general principles to particular cases. It is in undertaking to supply these that the essential mysticism of Coleridge's counsels comes to light. For instance: "I am deceived if you will not be compelled to admit that the prophet Isaiah revealed the true philosophy of the French Revolution more than two thousand years before it became a sad irrevocable truth of history. 'And thou saidst, I shall be a lady for ever, so that thou didst not lay these things to thy heart neither didst remember the latter end of it.... Therefore shall evil come upon thee; thou shalt not know from whence it riseth, etc.'" And to this ast-quoted sentence Coleridge actually appends the following note: "The reader will scarcely fail to find in this verse a remembrancer of the sudden setting in of the frost before the usual time (in a country, too, where the commencement of its two seasons is in general scarcely less regular than that of the wet and dry seasons between the tropics) which caused, and the desolation which accompanied, the flight from Moscow." One can make no other comment upon this than that if it really be wisdom which statesmen would do well to lay to heart, the late Dr. Cumming must have been the most profound instructor in statesmanship that the world has ever seen. A prime minister of real life, however, could scarcely be seriously recommended to shape his policy upon a due consideration of the possible allegoric meaning of a passage in Isaiah, to say nothing of the obvious objection that this kind of appeal to Sortes Biblicæ is dangerously liable to be turned against those who recommend it. On the whole, one must say of this lay sermon that it justifies the apprehension expressed by the author in its concluding pages. It does rather "resemble the overflow of an earnest mind than an orderly and premeditated," in the sense, at any rate, of a well-considered "composition."