Social Forces in England and America

by H. G. Wells

You see now the scope of the claim I am making for the novel; it is to be the social mediator, the vehicle of understanding, the instrument of self-examination, the parade of morals and the exchange of manners, the factory of customs, the criticism of laws and institutions and of social dogmas and ideas. It is to be the home confessional, the initiator of knowledge, the seed of fruitful self-questioning. Let me be very clear here. I do not mean for a moment that the novelist is going to set up as a teacher, as a sort of priest with a pen, who will make men and women believe and do this and that. The novel is not a new sort of pulpit; humanity is passing out of the phase when men sit under preachers and dogmatic influences. But the novelist is going to be the most potent of artists, because he is going to present conduct, devise beautiful conduct, discuss conduct, analyse conduct, suggest conduct, illuminate it through and through. He will not teach, but discuss, point out, plead, and display. And this being my view you will be prepared for the demand I am now about to make for an absolutely free hand for the novelist in his choice of topic and incident and in his method of treatment; or, rather, if I may presume to speak for other novelists, I would say it is not so much a demand we make as an intention we proclaim. We are going to write, subject only to our limitations, about the whole of human life. We are going to deal with political questions and religious questions and social questions. We cannot present people unless we have this free hand, this unrestricted field. What is the good of telling stories about people’s lives if one may not deal freely with the religious beliefs and organisations that have controlled or failed to control them? What is the good of pretending to write about love, and the loyalties and treacheries and quarrels of men and women, if one must not glance at those varieties of physical temperament and organic quality, those deeply passionate needs and distresses from which half the storms of human life are brewed? We mean to deal with all these things, and it will need very much more than the disapproval of provincial librarians, the hostility of a few influential people in London, the scurrility of one paper, and the deep and obstinate silences of another, to stop the incoming tide of aggressive novel-writing. We are going to write about it all. We are going to write about business and finance and politics and precedence and pretentiousness and decorum and indecorum, until a thousand pretences and ten thousand impostures shrivel in the cold, clear air of our elucidations. We are going to write of wasted opportunities and latent beauties until a thousand new ways of living open to men and women. We are going to appeal to the young and the hopeful and the curious, against the established, the dignified, and defensive. Before we have done, we will have all life within the scope of the novel.

THE PHILOSOPHER’S PUBLIC LIBRARY

Suppose a philosopher had a great deal of money to spend—though this is not in accordance with experience, it is not inherently impossible—and suppose he thought, as any philosopher does think, that the British public ought to read much more and better books than they do, and that founding public libraries was the way to induce them to do so, what sort of public libraries would he found? That, I submit, is a suitable topic for a disinterested speculator.

He would, I suppose, being a philosopher, begin by asking himself what a library essentially was, and he would probably come to the eccentric conclusion that it was essentially a collection of books. He would, in his unworldliness, entirely overlook the fact that it might be a job for a municipally influential builder, a costly but conspicuous monument to opulent generosity, a news-room, an employment bureau, or a meeting-place for the glowing young; he would never think for a moment of a library as a thing one might build, it would present itself to him with astonishing simplicity as a thing one would collect. Bricks ceased to be literature after Babylon.

His first proceeding would be, I suppose, to make a list of that collection. What books, he would say, have all my libraries to possess anyhow? And he would begin to jot down—with the assistance of a few friends, perhaps—this essential list.

He would, being a philosopher, insist on good editions, and he would also take great pains with the selection. It would not be a limited or an exclusive list—when in doubt he would include. He would disregard modern fiction very largely, because any book that has any success can always be bought for sixpence, and modern poetry, because, with an exception or so, it does not signify at all. He would set almost all the Greek and Roman literature in well-printed translations and with luminous introductions—and if there were no good translations he would give some good man £500 or so to make one—translations of all that is good in modern European literatures, and, last but largest portion of his list, editions of all that is worthy of our own. He would make a very careful list of thoroughly modern encyclopædias, atlases, and volumes of information, and a particularly complete catalogue of all literature that is still copyright; and then—with perhaps a secretary or so—he would revise all his lists and mark against every book whether he would have two, five or ten or twenty copies, or whatever number of copies of it he thought proper in each library.

Then next, being a philosopher, he would decide that if he was going to buy a great number of libraries in this way, he was going to make an absolutely new sort of demand for these books, and that he was entitled to a special sort of supply.

He would not expect the machinery of retail bookselling to meet the needs of wholesale buying. So he would go either to wholesale booksellers, or directly to the various publishers of the books and editions he had chosen, and ask for reasonable special prices for the two thousand or seven thousand or fifty thousand of each book he required. And the publishers would, of course, give him very special prices, more especially in the case of the out-of-copyright books. He would probably find it best to buy whole editions in sheets and bind them himself in strong bindings. And he would emerge from these negotiations in possession of a number of complete libraries of—how many books? Less than twenty thousand ought to do it, I think, though that is a matter for separate discussion, and that should cost him, buying in this wholesale way, under rather than over £2,000 a library.

And next he would bethink himself of the readers of these books. “These people,” he would say, “do not know very much about books, which, indeed, is why I am giving them this library.”

Accordingly, he would get a number of able and learned people to write him guides to his twenty thousand books, and, in fact, to the whole world of reading, a guide, for example, to the books on history in general, a special guide to books on English history, or French or German history, a guide to the books on geology, a guide to poetry and poetical criticisms, and so forth.