These late Palæolithic people not only drew remarkably well for our information, and with an increasing skill as the centuries passed, but they have also left us other information about their lives in their graves. They buried. They buried their dead, often with ornaments, weapons, and food; they used a lot of colour in the burial, and evidently painted the body. From that one may infer that they painted their bodies during life. Paint was a big fact in their lives. They were inveterate painters; they used black, brown, red, yellow, and white pigments, and the pigments they used endure to this day in the caves of France and Spain. Of all modern races, none have shown so pictorial a disposition; the nearest approach to it has been among the American Indians.
These drawings and paintings of the later Palæolithic people went on through a long period of time, and present wide fluctuations in artistic merit. We give here some early sketches, from which we learn of the interest taken by these early men in the bison, horse, ibex, cave bear, and reindeer. In its early stages the drawing is often primitive like the drawing of clever children; quadrupeds are usually drawn with one hindleg and one foreleg, as children draw them to this day. The legs on the other side were too much for the artist’s technique. Possibly the first drawings began as children’s drawings begin, out of idle scratchings. The savage scratched with a flint on a smooth rock surface, and was reminded of some line or gesture. But their solid carvings are at least as old as their first pictures. The earlier drawings betray a complete incapacity to group animals. As the centuries progressed, more skilful artists appeared. The representation of beasts became at last astonishingly vivid and like. But even at the crest of their artistic time they still drew in profile as children do; perspective and the fore-shortening needed for back and front views were too much for them.[37] They rarely drew themselves. The vast majority of their drawings represent animals. The mammoth and the horse are among the commonest themes. Some of the people, whether Grimaldi people or Cro-Magnon people, also made little ivory and soapstone statuettes, and among these are some very fat female figures. These latter suggest the physique of Grimaldi rather than of Cro-Magnon artists. They are like Bushmen women. The human sculpture of the earlier times inclined to caricature, and generally such human figures as they represent are far below the animal studies in vigour and veracity.