III. The “Formless Square”.[171]
And these Three, enclosed within the [circle],[172] are the Sacred Four; and the Ten are the Arûpa [ 173] Universe (b). Then come the Sons, the Seven Fighters, the One, the Eighth left out, and his Breath which is the Light-Maker (c).[174]
(a) “Âdi-Sanat,” translated literally, is the First or “Primeval Ancient,” a name which identifies the Kabalistic “Ancient of Days” and the “Holy Aged” (Sephira and Adam Kadmon) with Brahmâ, the Creator, called also Sanat among his other names and titles.
“Svabhâvat” is the mystic Essence, the plastic Root of physical Nature—“Numbers” when manifested; the “Number,” in its Unity of Substance, on the highest plane. The name is of Buddhist use and a synonym for the four-fold Anima Mundi, the Kabalistic Archetypal World, from whence proceed the Creative, Formative, and Material Worlds; and the Scintillæ or Sparks—the various other worlds contained in the last three. The Worlds are all subject to Rulers or Regents—Rishis and Pitris with the Hindûs, Angels with the Jews and Christians, Gods with the Ancients in general.
(b) “[circle].” This means that the “Boundless Circle,” the zero, becomes a number, only when one of the other nine figures precedes it, and thus manifests its value and potency; the “Word” or Logos, in union with “Voice” and Spirit[175] (the expression and source of Consciousness), [pg 126] standing for the nine figures, and thus forming, with the cypher, the Decad which contains in itself all the Universe. The Triad forms the Tetraktys, or “Sacred Four,” within the Circle, the Square within the Circle being the most potent of all the magical figures.
(c) The “One Rejected” is the Sun of our system. The exoteric version may be found in the oldest Sanskrit Scriptures. In the Rig Veda, Aditi, the “Boundless” or Infinite Space—translated by Prof. Max Müller, “the visible infinite, visible by the naked eye (!!); the endless expanse beyond the earth, beyond the clouds, beyond the sky”—is the equivalent of “Mother-Space,” coëval with “Darkness.” She is very properly called the “Mother of the Gods,” Deva-Mâtri, as it is from her cosmic matrix that all the heavenly bodies of our system were born—sun and planets. Thus she is described, allegorically, in this wise: “Eight sons were born from the body of Aditi; she approached the gods with seven, but cast away the eighth, Mârttânda,” our sun. The seven sons called the Adityas are, cosmically or astronomically, the seven planets; and the sun being excluded from their number shows plainly that the Hindûs may have known, and in fact knew, of a seventh planet, without calling it Uranus.[176] But esoterically and theologically, so to say, the Adityas, in their primitive most ancient meanings, are the eight, and twelve great gods of the Hindû Pantheon. “The Seven allow the mortals to see their dwellings, but show themselves only to the Arhats,” says an old proverb; “their dwellings” standing here for the planets. The ancient Commentary gives the following allegory and explains it:
Eight houses were built by Mother: eight houses for her eight Divine Sons; four large and four small ones. Eight brilliant Suns, according to their age and merits. Bal-i-lu [Mârttânda] was not satisfied, though his house was the largest. He began [to work] as the huge elephants do. He breathed [drew in] into his stomach the vital airs of his brothers. He sought to devour them. The larger four were far away; far, on the margin [pg 127]of their kingdom.[177] They were not robbed [affected], and laughed. Do your worst, Sir, you cannot reach us, they said. But the smaller wept. They complained to the Mother. She exiled Bal-i-lu to the centre of her kingdom, from whence he could not move. [Since then] he [only] watches and threatens. He pursues them, turning slowly round himself; they turning swiftly from him, and he following from afar the direction in which his brothers move on the path that encircles their houses.[178] From that day he feeds on the sweat of the Mother's body. He fills himself with her breath and refuse. Therefore, she rejected him.
Thus the “Rejected Son” being our Sun, evidently, as shown above, the “Son-Suns” refer not only to our planets but to the heavenly bodies in general. Sûrya, himself only a reflection of the Central Spiritual Sun, is the prototype of all those bodies that evolved after him. In the Vedas he is called Loka-Chakshuh, the “Eye of the World” (our planetary world), and he is one of the three chief deities. He is called indifferently the Son of Dyaus or of Aditi, because no distinction is made with reference to, or scope allowed for, the esoteric meaning. Thus he is depicted as drawn by seven horses, and by one horse with seven heads; the former referring to his seven planets, the latter to their one common origin from the One Cosmic Element. This “One Element” is called figuratively “Fire.” The Vedas teach that “fire verily is all the deities.”[179]
The meaning of the allegory is plain, for we have both the Dzyan Commentary and Modern Science to explain it, though the two differ in more than one particular. The Occult Doctrine rejects the hypothesis born of the Nebular Theory, that the (seven) great planets have evolved from the Sun's central mass, of this our visible Sun, at any rate. The first condensation of cosmic matter of course took place about a central nucleus, its parent Sun; but our Sun, it is taught, merely detached itself earlier than all the others, as the rotating mass contracted, and is their elder, bigger “brother” therefore, not their “father.” The eight Adityas, the “gods,” are all formed from the eternal substance (cometary matter[180]—the Mother), or the “world-stuff,” [pg 128] which is both the fifth and the sixth Cosmic Principle, the Upâdhi, or Basis, of the Universal Soul, just as in man, the Microcosm, Manas[181] is the Upâdhi of Buddhi.[182]
There is a whole poem on the pregenetic battles fought by the growing planets before the final formation of Cosmos, thus accounting for the seemingly disturbed position of the systems of several planets; the plane of the satellites of some (of Neptune and Uranus, for instance, of which the ancients knew nothing, it is said) being tilted over, thus giving them an appearance of retrograde motion. These planets are called the Warriors, the Architects, and are accepted by the Roman Church as the leaders of the heavenly Hosts, thus showing the same traditions. Having evolved from Cosmic Space, the Sun, we are taught—before the final formation of the primaries and the annulation of the planetary nebulæ—drew into the depths of his mass all the cosmic vitality he could, threatening to engulf his weaker “Brothers,” before the law of attraction and repulsion was finally adjusted; after which, he began feeding on “the Mother's refuse and sweat”; in other words, on those portions of Æther (the “Breath of the Universal Soul”), of the existence and constitution of which Science is as yet absolutely ignorant. As a theory of this kind has been propounded by Sir William Grove,[183] who theorizes that the systems “are gradually changing by atmospheric additions or subtractions, or by accretions and diminutions arising from nebular substance,” and again that “the sun may condense gaseous matter as it travels in space, and so heat may be produced”—the archaic teaching seems scientific enough, even in this age.[184] Mr. W. Mattieu Williams suggested that the diffused matter or Ether, which is the recipient of the heat radiations of the Universe, is thereby drawn into the depths of the solar mass; expelling thence the previously condensed and thermally exhausted Ether, it becomes compressed and gives up its heat, to be in turn itself driven out in a rarefied and cooled state, to absorb a fresh supply of heat, which he supposes to be in this way taken up by the Ether, and again concentrated and redistributed by the Suns of the Universe.