This is about as close an approximation to the Occult teachings as [pg 129] Science ever imagined; for Occultism explains it by the “dead breath,” given back by Mârttânda, and his feeding on the “sweat and refuse” of “Mother Space.” What could affect Neptune,[185] Saturn and Jupiter, but little, would have killed such comparatively small “Houses” as Mercury, Venus and Mars. As Uranus was not known before the end of the eighteenth century, the name of the fourth planet mentioned in the allegory must remain to us, so far, a mystery.
The “Breath” of all the “Seven” is said to be Bhâskara, the Light-Maker, because they (the planets) were all comets and suns in their origin. They evolve into manvantaric life from Primeval Chaos (now the noumenon of irresolvable nebulæ), by aggregation and accumulation of the primary differentiations of eternal Matter, according to the beautiful expression in the Commentary, “Thus the Sons of Light clothed themselves in the fabric of Darkness.” They are called allegorically the “Heavenly Snails,” on account of their (to us) formless Intelligences inhabiting unseen their starry and planetary homes, and so to speak, carrying them, as the snails do, along with themselves in their revolution. The doctrine of a common origin for all the heavenly bodies and planets was, as we see, inculcated by the archaic astronomers, before Kepler, Newton, Leibnitz, Kant, Herschel and Laplace. Heat (the “Breath”), Attraction and Repulsion—the three great factors of Motion—are the conditions under which all the members of this primitive family are born, develop, and die; to be reborn after a Night of Brahmâ, during which eternal Matter relapses periodically into its primary undifferentiated state. The most attenuated gases can give no idea of its nature to the modern Physicist. Centres of Forces at first, the invisible Sparks, or primordial Atoms, differentiate into Molecules, and become Suns—passing gradually into objectivity—gaseous, radiant, cosmic, the one “Whirlwind” (or Motion) finally giving the impulse to the form, and the initial motion, regulated and sustained by the never-resting “Breaths”—the Dhyân Chohans.
6. ... Then the Second Seven, who are the Lipika, produced by the Three.[186] The Rejected Son is One. The “Son-Suns”are countless.
The “Lipika,” from the word lipi, “writing,” means literally the “Scribes.”[187] Mystically, these Divine Beings are connected with Karma, the Law of Retribution, for they are the Recorders, or Annalists, who impress on the (to us) invisible tablets of the Astral Light, “the great picture-gallery of eternity”—a faithful record of every act, and even thought, of man; of all that was, is, or ever will be, in the phenomenal Universe. As said in Isis Unveiled, this divine and unseen canvas is the Book of Life. As it is the Lipika who project into objectivity from the passive Universal Mind the ideal plan of the Universe, upon which the “Builders” reconstruct the Kosmos after every Pralaya, it is they who stand parallel to the Seven Angels of the Presence, whom the Christians recognize in the Seven “Planetary Spirits,” or the “Spirits of the Stars”; and thus it is they who are the direct amanuenses of the Eternal Ideation—or, as Plato calls it, the “Divine Thought.” The Eternal Record is no fantastic dream, for we meet with the same records in the world of gross matter. As Dr. Draper says:
A shadow never falls upon a wall without leaving thereupon a permanent trace which might be made visible by resorting to proper processes.... The portraits of our friends or landscape-views may be hidden on the sensitive surface from the eye, but they are ready to make their appearance as soon as proper developers are resorted to. A spectre is concealed on a silver or a glassy surface, until, by our necromancy, we make it come forth into the visible world. Upon the walls of our most private apartments, where we think the eye of intrusion is altogether shut out, and our retirement can never be profaned, there exist the vestiges of our acts, silhouettes of whatever we have done.[188]
Drs. Jevons and Babbage believe that every thought displaces the particles of the brain and, setting them in motion, scatters them throughout the universe: they also think that “each particle of the existing matter must be a register of all that has happened.”[189] Thus the ancient doctrine has begun to acquire rights of citizenship in the speculations of the scientific world.
The forty “Assessors,” who stand in the region of Amenti as the accusers of the Soul before Osiris, belong to the same class of deities as the Lipika, and might stand as parallels, were not the Egyptian gods so little understood in their esoteric meaning. The Hindû Chitragupta who reads out the account of every Soul's life from his register, called [pg 131] Agra-Sandhânî; the Assessors who read theirs from the Heart of the Defunct, which becomes an open book before either Yama, Minos, Osiris, or Karma—are all so many copies of, and variants from, the Lipika and their Astral Records. Nevertheless, the Lipika are not deities connected with Death, but with Life Eternal.
Connected as the Lipika are with the destiny of every man, and the birth of every child, whose life is already traced in the Astral Light—not fatalistically, but only because the Future, like the Past, is ever alive in the Present—they may also be said to exercise an influence on the Science of Horoscopy. We must admit the truth of the latter whether we will or not. For, as observed by one of the modern professors of Astrology:
Now that photography has revealed to us the chemical influence of the sidereal system, by fixing on the sensitized plate of the apparatus milliards of stars and planets that had hitherto baffled the efforts of the most powerful telescopes to discover, it becomes easier to understand how our solar system can, at the birth of a child, influence his brain—virgin of any impression—in a definite manner and according to the presence on the zenith of such or another zodiacal constellation.[190]