“It is so, Doctor,” answered the White Man. “You have long ears.”
“Yes, my white father, I have long ears, though they say that I grow deaf. I have keen eyes also, and yet I cannot see your face. Let me hearken! Let me look!”
For awhile he was silent, rocking himself to and fro, then he spoke: “You have a farm, White Man, down near Pine Town, is it not? Ah! I thought so—and an hour’s ride from your farm lives a Boer with four fingers only on his right hand. There is a kloof on the Boer’s farm where mimosa-trees grow. There, in the kloof, you shall find your oxen—yes, five days’ journey from here you will find them all. I say all, my father, except three only—the big black Africander ox, the little red Zulu ox with one horn, and the speckled ox. You shall not find these, for they have died in the snow. Send, and you will find the others. No, no! I ask no fee! I do not work wonders for reward. Why should I? I am rich.”
Now the White Man scoffed. But in the end, so great is the power of superstition, he sent. And here it may be stated that on the eleventh day of his sojourn at the kraal of Zweete, those whom he sent returned with the oxen, except the three only. After that he scoffed no more. Those eleven days he spent in a hut of the old man’s kraal, and every afternoon he came and talked with him, sitting far into the night.
On the third day he asked Zweete how it was that his left hand was white and shrivelled, and who were Umslopogaas and Nada, of whom he had let fall some words. Then the old man told him the tale that is set out here. Day by day he told some of it till it was finished. It is not all written in these pages, for portions may have been forgotten, or put aside as irrelevant. Neither has it been possible for the writer of it to render the full force of the Zulu idiom nor to convey a picture of the teller. For, in truth, he acted rather than told his story. Was the death of a warrior in question, he stabbed with his stick, showing how the blow fell and where; did the story grow sorrowful, he groaned, or even wept. Moreover, he had many voices, one for each of the actors in his tale. This man, ancient and withered, seemed to live again in the far past. It was the past that spoke to his listener, telling of deeds long forgotten, of deeds that are no more known.
Yet as he best may, the White Man has set down the substance of the story of Zweete in the spirit in which Zweete told it. And because the history of Nada the Lily and of those with whom her life was intertwined moved him strangely, and in many ways, he has done more, he has printed it that others may judge of it.
And now his part is played. Let him who was named Zweete, but who had another name, take up the story.
CHAPTER I.
THE BOY CHAKA PROPHESIES
You ask me, my father, to tell you the tale of the youth of Umslopogaas, holder of the iron Chieftainess, the axe Groan-maker, who was named Bulalio the Slaughterer, and of his love for Nada, the most beautiful of Zulu women. It is long; but you are here for many nights, and, if I live to tell it, it shall be told. Strengthen your heart, my father, for I have much to say that is sorrowful, and even now, when I think of Nada the tears creep through the horn that shuts out my old eyes from light.
Do you know who I am, my father? You do not know. You think that I am an old, old witch-doctor named Zweete. So men have thought for many years, but that is not my name. Few have known it, for I have kept it locked in my breast, lest, though I live now under the law of the White Man, and the Great Queen is my chieftainess, an assegai still might find this heart did any know my name.