Old and New Paris: Its History, Its People, and Its Places, v. 2

by H. Sutherland Edwards

APSIS OF SAINT-SULPICE.

The School of Fine Arts occupies a palace worthy of the institution. Its general plan is simple in the extreme. Through the gate of its entrance, adorned with two colossal busts of Puget and of Poussin, may be seen a square courtyard whose walls are covered with admirable monuments, for the most part from the above-mentioned Musée des Monuments Français. This courtyard is separated from the principal one into which it leads by a sort of triumphal arch, dating from the year 1500. It was brought from the Château de Gaillon and reconstructed stone by stone. At the end of the principal courtyard is the grand façade due to M. Dauban,[{176}] composed of two storeys of arcades separated by Corinthian pilasters. The vestibule of the ground floor contains fragments of ancient marbles, casts from the temple of Egina and of the Parthenon, clever, curious copies of paintings discovered at Pompeii, etc. The vestibule leads to a magnificent collection of plaster casts from the most celebrated ancient works of antiquity, including two columns from the temple of Jupiter Stator, and one of the corner-pieces of the Parthenon. In the floor above are to be seen the fifty-two copies of the Loggie of Raphael, executed in 1836 by the brothers Balze, under the direction of the illustrious Ingrès, who had made Raphael the study of his life. The same storey contains, among other celebrated works, the hemicycle, painted by Paul Delaroche, representing the principal masters of every age and of every school, grouped around Ictinus and Phidias, the painter and sculptor of the Parthenon. This masterpiece has been popularised, in engraving, by Henriquel Dupont, one of the most regretted professors of the School of Fine Arts. It is impossible to leave the School of Fine Arts without casting a glance on the mansions which either surround or adjoin it, from the beginning of the Quai Malaquais, at the corner of the Rue de Seine, to the Rue des Saint-Pères, all of which enjoy magnificent views of the Seine, the Louvre, and the Tuileries. They have all the[{177}] same origin, having been built during the first years of the seventeenth century on the property of Queen Margaret. No. 1 on the Quai Malaquais, with its two meagre wings on each side of a feeble body, was the mansion of Aubespine; and it was there that the celebrated archæologist, Visconti, died in 1818. No. 5 was at one time occupied by Marshal Saxe.

The noble house, with its façade of red bricks and white stone—No. 9, at the other corner of the Rue Bonaparte—was the Hôtel Loménie de Brienne et Loutrec. Nos. 11 and 13, now replaced by the exhibition-rooms of the School of Fine Arts, were built by Cardinal Mazarin for his niece Marianne Martinozzi, left a widow in 1666 by the death of Prince de Conti, younger brother of the great Condé. Originally Hôtel Conti, it passed from Conti’s widow, who received the Hôtel Guénégaud in exchange, into the hands successively of the Créquis, the Tremvilles, the Lauzuns, and three or four other aristocratic families, to become subsequently the office of the general police.

The right corner of the Rue des Saints-Pères and of the Rue de Lille is occupied by a new building with windows few and far between, and gates which might be those of a fortress. This is the special school of living Oriental languages founded by Louis XIV., reorganised in 1795 and again in 1869 and 1871. For many years it was an annex of the National Library, where it occupied an old building in the New Street of the Little Fields. For some few years past it has been established at No. 2 in the Rue de Lille. The languages taught in this institution comprise literary Arabic, the Arabic of ordinary conversation, Armenian, Persian, Turkish, Annamite, Chinese, modern Greek, Japanese, Malay, Russian, Roumanian, Hindostanee, and the Tamul languages. Attached to the professors are teachers born in the different and distant lands whose languages are studied in this school.

At the opposite corner (Rue de Lille, No. 1) is a magnificent mansion which now belongs to the publishing house of Garnier Brothers. During the period immediately before the French Revolution the stables of the Countess of Artois were here established. Throughout the First Empire it was occupied by Count Réal, entrusted with the first department of the Ministry of General Police, in which there were altogether fifty-one departments. From 1821 to 1849 it was the office of the first military division.

FOUNTAIN, PLACE SAINT-SULPICE.

On the right side of the Rue des Saints-Pères, opposite the former entrance to the hospital of La Charité, is the National School of Roads and Bridges—until 1788 the Hôtel Fleury; from 1824 to 1830 the Ministry of Worship; and throughout the reign of Louis Philippe the Ministry of Public Works.