In setting up the Cape of Good Hope instrument the astronomers were obliged to do a large part of the work of adjustment personally. Far away from European instrument-makers, the parts of the mounting and telescope had to be "assembled," or put together, by the astronomers of the Cape Observatory. A heavy pier of brick and masonry had been prepared in advance. Upon this was placed a massive iron base, intended to support the superstructure of polar axis and telescope. This base rested on three points, one of which could be screwed in and out, so as to tilt the whole affair a little forward or backward. By means of this screw we effected the final adjustment of the polar axis to exact parallelism with that of the earth. Other screws were provided with which the base could be twisted a little horizontally either to the right or left. Once set up in a position almost correct, it was easy to perfect the adjustment by the aid of these screws.
Afterward the tube and lenses were put in place, and the clock properly attached inside the big cast-iron base. This clock-work looked more like a piece of heavy machinery than a delicate clock mechanism. But it had heavy work to do, carrying the massive telescope with its weighty lenses, and needed to be correspondingly strong. It had a driving-weight of about 2,000 pounds, and was so powerful that turning the telescope affected it no more than the hour-hand of an ordinary clock affects the mechanism within its case.
The final test of the whole adjustment consisted in noting whether stars once brought into the telescopic field of view could be maintained there automatically by means of the clock. This object having been attained successfully, the instrument stood ready to be used in the routine business of the observatory.
Before leaving the subject of telescope-mountings, we must mention the giant instrument set up at the Paris Exposition of 1900. The project of having a Grande Lunette had been hailed by newspapers throughout the world and by the general public in their customary excitable way. It was tremendously over-advertised; exaggerated notions of the instrument's powers were spread abroad and eagerly credited; the moon was to be dragged down, as it were, from its customary place in the sky, so near that we should be able almost to touch its surface. As to the planets—free license was given to the journalistic imagination, and there was no effective limitation to the magnificence of astronomical discovery practically within our grasp, beyond the necessity for printed space demanded by sundry wars, pestilences, and other mundane trifles.
Yerkes Observatory, University of Chicago.
Now, the present writer is very far from advocating a lessening of the attention devoted to astronomy. Rather would he magnify his office than diminish it. But let journalistic astronomy be as good an imitation of sober scientific truth as can be procured at space rates; let editors encourage the public to study those things in the science that are ennobling and cultivating to the mind; let there be an end to the frenzied effort to fabricate a highly colored account of alleged discoveries of yesterday, capable of masquerading to-day under heavy head-lines as News.
The manner in which the big telescope came to be built is not without interest, and shows that enterprise is far from dead, even in the old countries. A stock company was organized—we should call it a corporation—under the name Société de l'Optique. It would appear that shares were regularly put on the market, and that a prospectus, more or less alluring, was widely distributed. We may say at once that the investing public did not respond with obtrusive alacrity; but at all events, the promoters' efforts received sufficient encouragement to enable them to begin active work. From the very first a vigorous attempt was made to utilize both the resources of genuine science and the devices of quasi-charlatanry. It was announced that the public were to be admitted to look through the big glass (apparently at so much an eye), and many, doubtless, expected that the man in the street would be able to make personal acquaintance with the man in the moon. A telescopic image of the sun was to be projected on a big screen, and exhibited to a concourse of spectators assembled in rising tiers of seats within a great amphitheatre. And when clouds or other circumstances should prevent observing the planets or scrutinizing the sun, a powerful stereopticon was to be used. Artificial pictures of the wonders of heaven were to be projected on the screen, and the public would never be disappointed. It was arranged that skilled talkers should be present to explain all marvels: and, in short, financial profit was to be combined with machinery for advancing scientific discovery. Astronomers the world over were "circularized," asked to become shareholders, and, in default of that, to send lantern-slides or photographs of remarkable celestial objects for exhibition in the magic-lantern part of the show.