Lord Byron put his hands behind him, retreated to the mantel-piece, and, looking on the two that stood there, with a sarcastic smile said, ‘When shall we three meet again?’ Lady Byron answered, ‘In heaven, I trust’. And those were her last words to him on earth.

Now, if the reader wishes to understand the real talents of Lord Byron for deception and dissimulation, let him read, with this story in his mind, the ‘Fare thee well,’ which he addressed to Lady Byron through the printer:—

‘Fare thee well; and if for ever,
Still for ever fare thee well!
Even though unforgiving, never
’Gainst thee shall my heart rebel.

Would that breast were bared before thee
Where thy head so oft hath lain,
While that placid sleep came o’er thee
Thou canst never know again!

Though my many faults defaced me,
Could no other arm be found
Than the one which once embraced me
To inflict a careless wound?’

The re-action of society against him at the time of the separation from his wife was something which he had not expected, and for which, it appears, he was entirely unprepared. It broke up the guilty intrigue and drove him from England. He had not courage to meet or endure it. The world, to be sure, was very far from suspecting what the truth was: but the tide was setting against him with such vehemence as to make him tremble every hour lest the whole should be known; and henceforth, it became a warfare of desperation to make his story good, no matter at whose expense.

He had tact enough to perceive at first that the assumption of the pathetic and the magnanimous, and general confessions of faults, accompanied with admissions of his wife’s goodness, would be the best policy in his case. In this mood, he thus writes to Moore:—

‘The fault was not in my choice (unless in choosing at all); for I do not believe (and I must say it in the very dregs of all this bitter business) that there ever was a better, or even a brighter, a kinder, or a more amiable, agreeable being than Lady Byron. I never had, nor can have, any reproach to make her while with me. Where there is blame, it belongs to myself.’

As there must be somewhere a scapegoat to bear the sin of the affair, Lord Byron wrote a poem called ‘A Sketch,’ in which he lays the blame of stirring up strife on a friend and former governess of Lady Byron’s; but in this sketch he introduces the following just eulogy on Lady Byron:—

‘Foiled was perversion by that youthful mind
Which flattery fooled not, baseness could not blind,
Deceit infect not, near contagion soil,
Indulgence weaken, nor example spoil,
Nor mastered science tempt her to look down
On humbler talents with a pitying frown,
Nor genius swell, nor beauty render vain,
Nor envy ruffle to retaliate pain,
Nor fortune change, pride raise, nor passion bow,
Nor virtue teach austerity,—till now;
Serenely purest of her sex that live,
But wanting one sweet weakness,—to forgive;
Too shocked at faults her soul can never know,
She deemed that all could be like her below:
Foe to all vice, yet hardly Virtue’s friend;
For Virtue pardons those she would amend.’

In leaving England, Lord Byron first went to Switzerland, where he conceived and in part wrote out the tragedy of ‘Manfred.’ Moore speaks of his domestic misfortunes, and the sufferings which he underwent at this time, as having influence in stimulating his genius, so that he was enabled to write with a greater power.

Anybody who reads the tragedy of ‘Manfred’ with this story in his mind will see that it is true.