Thus, it was not, in our modern sense of the conception, a company at all, but an association of independent manufacturers or tradesmen, each in business for himself, each in competition with his fellow craftsmen, and all kept upon a tolerably even footing by limiting the amount of labor that each one might employ. Its members were the master craftsmen, each the head of his own house; through them were associated the journeymen, or skilled workmen in their employ, and the apprentices. These latter might rise to be masters, in business for themselves. But no one without such a connection could engage in the business at all, in any capacity whatever.
The Worshipful Clock-makers' Company, under its charter granted by Charles I, had the power to make rules for the government of all persons following the trade within ten miles of London, and for regulating the trade throughout the kingdom. Its first master, or president, was David Ramsay, who was mentioned as having been "constructor of horologes to His Most Sacred Majesty, James I," and is one of the characters in Scott's novel "The Fortunes of Nigel." Its wardens or executives were Henry Archer, John Willowe, and Sampson Shelton; and there was, besides, a fellowship, or board of directors. The company proceeded at once to forbid all persons "making, buying, selling, transporting, and importing any bad, deceitful clocks, watches, larums, sun-dials or cases for the said trade," and full power to search for, confiscate and destroy all such inferior goods, "or cause them to be amended."
This company limited the volume of business by forbidding any one master to employ more than two apprentices at one time without express permission; and, since all journeymen must first pass through the stage of apprenticeship, this tended to keep up wages by limiting the labor supply and to keep competition on a fair basis. The coat of arms of the company represented a clock surmounted by a crown, the feet resting upon the backs of four lions, all of gold, upon a black ground; on either side were the figures of Father Time and of a king in royal robes; and the motto beneath read: Tempus Imperator Rerum, or "Time, the Emperor of Things." These matters sound rather quaint to us, but perhaps the quaintest of them all is the idea of a monopoly concerning itself so jealously with the quality of the product, and letting prices and competition practically alone.
It was under such conditions that the English work was done and the inventions made. Huyghens was, of course, not an Englishman; and Hooke was rather an inventor and a scientist than a manufacturer. Both these men themselves made clocks and watches, but they made them only as instruments to assist them in their researches, or as working-models of their design. It was often said of Hooke that he never cared to develop an invention after he had proved that it would work. But once these first inventions had been adopted, the real production of timepieces was in the hands of the Clock-makers' Company, and the great names were those of clock-makers.
These were the days when the leaders of the industry worked with their own hands as well as with their heads. We may imagine the master seated in the front room of his shop studying over a new model, or putting together and decorating one already made; or, perhaps, making with his own hands some of the most delicate parts. From the back rooms would come the sound of tapping or filing as the journeymen and apprentices were hard at work upon their various tasks. Meanwhile, perhaps some apprentice, standing outside the door, would call out to passers-by and urge them to step in and buy. This was a favorite form of advertising in that time. For that matter, we still have our "barkers" and "pullers-in" at Coney Island and elsewhere. Everything about the small business was carried out under the personal direction of the master and, where necessary, by his own hand. The phrase "clockmaker to the King" meant something more when applied to such a man than merely that royalty had purchased some product of his craft.
Such a one was Thomas Tompion, often called "the father of English watchmaking." He was the leader of his craft in the time of Charles II and he, more than anyone else, worked out the inventions of Hooke for actual manufacture. He left his father's blacksmith shop to become a clock-maker, from this he went on to the more delicate work of making watches, and at last became a famous master of his guild. It may fairly be said of him that he set the time for history in his day, for most of the royalty and great men of Europe timed all their doings from banquets to battles by Tompion watches.
Meanwhile, he, too, was making watchmaking history by his improvements. Tompion made watches with hair-springs, balance-wheels and escapements with various improvements. His design of the regulator is nearly that in modern use. His cases, too, were as famous as the movements that he made. The so-called "pendulum watches" were then much in fashion, and Tompion met the demand by making a number of them. They did not, of course, work with a pendulum; but one arm of the old foliot balance could be seen through an opening in the case or dial, and looked like a pendulum swinging to and fro. To read the advertisements of that day one would think that all lost or stolen watches were of Tompion's making, so often does his name appear in them.
Many legendary stories are told about Tompion's work. It has been set down in cold print that Queen Mary gave one of his watches to Philip II of Spain, and that he made watches for Queen Elizabeth. Unfortunately for such stories, Tompion was not born until 1638, by which time both Mary and Elizabeth had been dead for some years. But though the legends themselves are untrue, yet they do shed some light upon their subject, for such stories, true or false, are not told about unimportant men. And it is true that Tompion grew so celebrated that at his death, in 1713, he was buried in Westminster Abbey, where only the great may have resting-places.
Another famous watchmaker was George Graham, the inventor of the mercury pendulum. He first was Tompion's journeyman, then his partner, and at last became a well-known astronomer, having become interested in astronomy through making astronomical clocks. But his great contribution was the invention of the dead-beat escapement, which, in one form or another, is in use in all the best clocks and watches of the present time, and which has had more to do with making their accuracy possible than has any other improvement since the discovery of the isochronism of the pendulum and hair-springs. Graham, also, is buried in Westminster Abbey; his body lies beside that of Tompion, his teacher and friend.