In Imperial Rome, the professors of grammar and of rhetoric, two of the basic subjects taught to young Romans, used many Greek and Roman authors in bowdlerized versions. In the case of the lyric poets in particular, the suggestive and erotic elements were minimized or excised.
During the Imperial Age of Rome, writers appeared at intervals who were cumulatively known as scriptores erotici—writers on love themes. Their tales, elaborately expanded and decked out with circumstantial details, were concerned with the amatory adventures of mythological personalities, among them, for instance, Acontius and Cydippe.
The Roman epigrammatist Martial (c. 40 A.D.–c. 104) claimed that, despite his obscene verses, his own personal life was unstained. He produced a large body of epigrams and occasional poems dealing, to a very considerable extent, with erotic and sexual topics: perversions, sodomy and incest, adultery and pederasty. His pieces mention actual contemporary figures, and thus present a realistic and intimate picture of Roman salacious aberrations at all levels of society, as well as the erotic degeneration of the age.
The Emperor Nero, with all his inhuman and vicious traits and bloody crimes, was a versatile poet. He was the author of sportive and also erotic pieces, none of which, however, are now extant.
Among the rites practiced by the Romans with respect to the cult of Priapus, there was the custom of the bride who, seated before the phallic image, made at least a symbolic contact, and most commonly an actual one, with a view to encourage later marital fecundity. It was at the same time an apotropaic measure as well. Married women were included in this ritual, and participated in similar practices. These rites, described in violently condemnatory terms, are mentioned by St. Augustine and Lactantius and Arnobius, who take occasion to point out the Roman pagan abominations in sexual matters.