The Ladies’ Magazine of the eighteenth century has many plates showing various styles of what are certainly straw hats, the design and manipulation of the straws in woven hats and the detail of the plait in sewn hats being very carefully and distinctly engraved.
These excerpts from ancient as well as more recent authorities all tend to show the widespread use of the straw hat, and prove that the term “straw” was, as it is now, a most comprehensive one, and one in no way entirely confined to the stalks of cereals.
But they also show that, although straw hats were made all over the Continent, etc., the work on them was purely individual and local. There were no recognized centres of manufacture or distribution, for, excepting the fact that some localities were more productive of suitable materials for plaitting than others, the making of straw hats was universal, and it is not until the sixteenth century that any reliable information is obtainable of special centres for straw hat production. According to Cesare Cantu, a well-known Italian historian, the manufacture of hats of straw in the neighbourhood of Florence, for distribution outside the locality, can be traced back to the fourteenth century. This is probably quite true, but unfortunately the statement is not corroborated by any contemporaneous evidence. But in the year 1574, Signa, a village near Florence, was entitled “the original seat of the industry.” (From a consular report.) It is, therefore, almost safe to declare that the commercial life of the straw hat began in the district of Florence, and here, probably, for the first time in history, were to be found gathered together in sufficiently large numbers to make their wares marketable, persons both male and female engaged in weaving straws into hats, or capelli, or in plaitting straws into braids, which were called paglia or plait.
From Tuscany to Piedmont is not a “far cry,” and Coryat in his Crudities (a work published in 1611 and consisting of a series of observations made in a journey through Europe) says, “at many places in Piemont I observed most delicate strawen hats, which both men and women use in most places of that Province.”
Again, Piedmont is not very distant from Lorraine, and it is from this latter district, which was the country of the birthplace of her mother, that Mary, Queen of Scots, is said to have brought plaitters to Scotland in 1552, and thus to have introduced the art to the British Isles.
Some writers on this subject, failing to discriminate between plait and hats, adduce many adverse arguments (see below) when the claim is made that the unfortunate queen established the trade in the coasts of Britain. These point to the undoubted fact that straw hats were made both in Scotland and England before her time. That, of course, is quite true, but what is not equally certain is whether the hats made in the British Isles before 1552 were hats woven in one piece, or hats made of plaitted braid sewn afterwards in some manner to the required shape. In the old account of the transaction one reads that in Lorraine Mary noticed the people “profitably employed, some in plaitting straws and others in working (sic) the straw plait into hats.” It is, therefore, evident that it was an established industry in Lorraine and that both operations were being carried on. One may also deduce that, while the weaving of hats may have been common in Scotland, the making of plait and the subsequent making into hats was a novelty to Mary, and, therefore, in the interests of her Scottish subjects, she endeavoured to promote a similar industry in which they also might be “profitably employed.”
The late Mr. John Waller, of Luton, a member of one of the oldest families connected with the straw trade, after a careful and apparently unbiased investigation, says that the statement about Mary being the founder of the industry “can only be regarded as pleasing fiction”; and to support this quotes from Oldmixon’s History of England (edition of 1724) “That the manufacture of straw plait had thriven for about 100 years in the neighbourhood of Hemel Hempstead and Dunstable.” But from 1552 to 1624 is a long period, and one can easily imagine the natives of sunny Lorraine feeling none too homelike in “Caledonia, stern and wild.” With the accession of James I (Mary’s son) to the English throne, what could be more natural than the migration of these workers to more genial southerly temperatures, bringing with them their art? As James became king in 1603 there would have been plenty of time for the industry of making plait for sewing into hats being established between then and 1624, which would be exactly 100 years before Oldmixon’s account! And speaking of the advent of the Lorrainers into Beds and Herts, Mr. Thomas George Austin, in his book on the Straw Hat and Bonnet trade of the Luton District, writes, “It is said to be the true history of the introduction of the handicraft into England.”
One must, therefore, come to the conclusion that the system of making hats from plait, as distinct from the weaving the hat in one piece, was introduced by Mary, Queen of Scots, to Scotland, and from thence the method came south, and for reasons which will be set out hereafter, settled itself in the regions of South Bedfordshire, North-east Hertfordshire, and East Buckinghamshire.